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  • September 18, 2020

     

    Dear Colleagues,

    One year ago, Namita Modi and I launched this knowledge committee with a panel discussion held at the Center for Architecture titled  The Architect’s Challenge: Work/Family Balance. Who could ever imagine a time when the majority of New York City architects would be required to work from home to limit the spread of a deadly disease? The working conditions that Americans are enduring because of COVID-19 are so stressful that the US Centers for Disease Control and Prevention have created a dedicated webpage to offer advice on how to recognize what stress looks like, take steps to build resilience, and know where to go if you need help. Learn more here.

    One year ago, we invited architects and residential designers—Jane Frederick, Hayes Slade, James Slade, Sofia Zimmerman, Adam Zimmerman, Billie Tsein, and Tod Williams—who are design partners with their spouses to have a conversation regarding work/family balance. We were so pleased with the results and felt that there was an uplifting take-away that we should share with our colleagues during these trying times. Throughout their careers, all endured work crises and family crises—as all architects do. Yet, the entire conversation circled around the joy of architecture, the joy of dedicating their life to their vocation, and the joy of engaging their family—their spouses, their children, and parents—in their work. Perhaps, none would be able to be as single minded about their seemingly endless capacity to achieve a happy work/family balance if we held the conference today; but, the summary below, which was written soon after the panel discussion, explains how they felt back then and we felt it was worth sharing again.

    Namita and I hope everyone gets the help they need to be as safe and sound as the possibly can be during these trying times.

    Best Regards,
    Dennis Wedlick

     

    AIANY CRAN Review of the September 18, 2019 The Architect’s Challenge: Work/Family Balance,—a frank discussion with practitioners who co-own architecture firms with their spouses, written by Dennis Wedlick, co-chair of AIANY CRAN. (Written 9/25/2019 by Dennis Wedlick.)

    Residential architects and their loved ones know that practices like ours require the business owners to work all hours of the day, all days of the week, and all weeks of the year. Spouses, children, parents, siblings, and friends all experience firsthand our round-the-clock workload: Builders reach out to us in the morning and late evening, while vendors, consultants, and colleagues keep us busy all during the day, and then clients have us going well into the night, on weekends, and even during holidays. Our collective experiences caring for our families and other loved ones while tending to the 24/7 needs of our businesses translates to a challenge that can threaten our abilities as both caregivers and practitioners. Those personal experiences—trying to give equally to our practices and our loved ones—inspired the idea for the panel discussion entitled “The Architect’s Challenge: Work/Family Balance.”

    The Panelists: (Left to right) Hayes Slade, James Slade Sofia Zimmerman, Adam Zimmerman, Billie Tsein, and Tod Williams, and Jane Frederick.

    The Panelists: (Left to right) Hayes Slade, James Slade Sofia Zimmerman, Adam Zimmerman, Billie Tsein, and Tod Williams, and Jane Frederick.

    Why hold a panel discussion on work/family balance specifically with practitioners who co-own their architecture firms with their spouses?

    At AIANY events and AIA national conferences and symposiums, between sessions about best professional practices, the conversation among architects who own a small practice quickly turns from work to more personal matters—such as getting children into good schools, providing resources for aging parents, or helping a disabled friend get the support he/she needs. Once my co-chair Namita Modi and I decided to hold a panel discussion to address this challenge of work/family balance, we needed to determine who to invite to participate. Although all architects face work/family challenges, we decided to specifically host a conversation between architects who own practices with their spouses. Why? Two reasons: Firstly, all the panelists would be in a similar situation—an apples-to-apples comparison of one type of practitioner—one who co-owns a practice with their spouse—experiences work/family balance. Secondly, we assumed that architects who co-owned their practice with their spouse might find work/family balance doubly challenging when compared to architects whose business partner was not their spouse because both business owners would be dealing with the exact same work/family needs at the same time. We thought this particular set of panelists would highlight for the audience the work/family challenges that are unique to the practice of architecture.

    Panel moderator Dr. Lois Oppenheim.

    Panel moderator Dr. Lois Oppenheim.

    Through a jovial, thought-provoking conversation led by Dr. Oppenheim, the panelists offered a plethora of tried-and-true ideas for minimizing the challenges of balancing work and family needs.

    As we all experienced on September 18, 2020 at the Center for Architecture, simply by answering questions about their work and their personal lives offered to them by Dr. Oppenheim—a skilled, probing, and engaging moderator—the panelists, Jane Frederick, Hayes Slade, James Slade, Sofia Zimmerman, Adam Zimmerman, Billie Tsein, and Tod Williams shared a frank presentation of the day-to-day story of their business and family life. To my surprise and delight, the panel discussion highlighted tried-and-true ideas for achieving work/family balance. They offered a plethora of positive experiences and thoughtful reflections about balancing work and with family needs that all can learn from. They did so jovially, humbly, without an agenda or aim. Their stories relay a career being immersed in their work 24/7, having their family fully integrated into their work lives, and knowing that working hard at architecture was a shared adventure of the whole family. Treasured stories about raising children, caring for aging parents, and working together—all the time—were told consistently as examples of why they love their chosen career paths.

    AIANY CRAN Work/Family Balance at the Center for Architecture in Fall of 2019.

    AIANY CRAN Work/Family Balance at the Center for Architecture in Fall of 2019.

    An unexpected takeaway: Comfortably blending your work life into your family life might be less stressful than trying to divorce the two.

    When we listen to the conversation, we heard thoughts that may be unique for these panelists who co-own their practice with their spouses but may be useful takeaways for all architects. As an example, the panelists confirmed that their work life was entirely blended into their family life, and that was not only okay, but a good thing for all of them. Once it was explained, it was obvious to me how challenging it was for me to divorce my work life from my family life, particularly because residential architecture is a 24/7 business. Because my spouse was not my business partner when a call came in on the weekends, or I spent evenings thinking about a design problem, I would worry that my work was taking time away from being with family. And, when my business partner was called home for an unexpected family matter, he worried that his family was taking him away from the work that needed to be done. This is what leads to a feeling of imbalance that the married-to-their-partner panelists avoid because they share in everything: work and family. Therefore, one takeaway for me was: While challenging, maybe helping your family feel at home with your 24/7 work may be less stressful than trying to divorce them from your business, your passion. The panelists make it clear that architects cannot be their best possible selves—enjoying a happy family life while pursuing a successful business—if they feel pressured to compromise one for the other.

    AIANY CRAN Work/Family Balance After Party at the Center for Architecture in Fall of 2019

    AIANY CRAN Work/Family Balance After Party at the Center for Architecture in Fall of 2019.

    Conclusion: By sharing in conversations about work/family balance, we can learn from each other’s experiences. We encourage our fellow architects to continue these important discussions about our social well-being as a community of design professionals who are frequently under considerable stress and anxiety because of the challenges we face in our chosen profession.

    We at AIANY CRAN are so grateful to all who participated, and we hope it will inspire future events to explore the work/family balance challenges that we all face.

  • September 11, 2020

    The Residential Architecture Now: Mid-Hudson Valley webinar was hosted on September 2, 2020

    Residential Architecture Now is a community-by-community survey produced by AIANY CRAN to help our colleagues, students, and residential design enthusiasts learn about the trends, inspirations, and resources related to a particular community of people within and near New York City. The results of our survey are presented with a series of panel discussion, which were originally to be held at the Center for Architecture until the pandemic of COVID-19 brought about a shift in our plans: We now present our findings using a webcast platform. That shift opened up the possibility of testing new ideas for sharing the knowledge and experience of our design colleagues.

    For our exploration of residential architecture of the Mid-Hudson Valley, we asked four residential designers if they would be able to create short films about their work, and specifically we asked that they produce a conversation in the style of NPR Story-Corp. We were delighted that all four were excited to do so and produced their own interpretation of that request.

    Below you will find the four short films included in the Res Arch Now: Mid-Hudson Valley survey accompanied by photographs of the projects featured and discussed during the conversations recorded. All four conversations describe the panelists’ experience designing modern homes in the most rural locations of this rural region of the Hudson Valley. All projects are located in the middle stretch of the Hudson Valley, north of Poughkeepsie and up to and including Hudson, New York. While this region is between a one and two hour drive north of Manhattan, it is primarily made up of thinly populated townships, villages and hamlets. Hudson is the only city included in the survey and its population is no more than 8,000 people. For the full webcast, which includes live introductions to the films and a live round table discussion that took place after the films were shown, please see the Res Arch Now, Mid-Hudson Valley video archive link, which will be posted soon.

    The Stone House, built by Peggy Anderson LLC, located in Columbia County, NY

    Builder: Peggy Anderson LLC. Architect: Steven Harris Architects. Photo: Cliff Goldthwaite.

    Builder: Peggy Anderson LLC. Architect: Steven Harris Architects. Photo: Cliff Goldthwaite.

    A conversation between Rural Intelligence Design Writer, Sherry Jo Williams and designer/builder, Peggy Anderson regarding her residential adaptive reuse of a nineteenth century tavern for her private residence, and a Hudson Valley home that her construction firm built recently in Columbia County, which was designed by Steven Harris Architects.

     

    Cat Hill, home and fitness studio of Niki Nolan, located in the wooded surrounds of New Paltz, NY

     Design Firm: MM Studio. Photo: Studio MM Architect 

    Design Firm: Studio MM. Photo: Studio MM Architect.

    A conversation between architect Marica McKeel and her client Niki Nolan regarding the design and construction of her newly constructed home and fitness studio overlooking the Shawangunk and Catskill Mountains.

     

    Little Ghent Farm, the home, farm, and market of Mimi and Richard Beaven, located in Columbia County, NY

    Design Firm: Pelone Bailey Architects. Photo: Adrian WM Jones

    Mimi and Richard Beaven describe their experience designing and building their Little Ghent Farm—a home, farm, and market located just south of Hudson, NY— by answering questions presented to them by the architect, Neil Pelone of Pelone Bailey Architects.

     

    The Accord House, home of Peter Reynolds, a certified Passive House built in the foothills of the Catskills

    Design Firm: <a href="https://nriverarchitecture.com/">North River Architecture and Planning</a>. Photo: Deborah Degraffenreid

    Design Firm: North River Architecture and Planning. Photo: Deborah Degraffenreid.

    A conversation between design principal and Passive House consultant, Stephanie Bassler of North River Architecture and Planning, and her senior designer Peter Reynolds, describing their experience designing and building his certified Passive House home in Accord, NY.

  • June 4, 2020
    Project: KLEIN. Architect: Bjarke Ingels Group (BIG). Image by: Matthew Carbone
    Project: KLEIN. Architect: Bjarke Ingels Group (BIG). Photo: Matthew Carbone

    AIA New York hosts seven panelists to expound on the movement toward homes that support smaller living… but what is it really all about? Watch the event video here.

    By Kiley Jacques

    When Peter Chapman, a senior editor and colleague at The Taunton Press, first approached me about participating in AIANY’s webinar on tiny houses, I believed I understood the topic at hand. Past conversations with Alek Lisefski, founder of The Tiny Project, as well as David Latimer, Ethan Waldman, Joshua Engberg, and Jenna Spesard—all of whom are said to be forerunners of today’s tiny house movement—left me with the impression that tiny houses are a physical manifestation of an ecological ideology, and those who build and live in them do so to support a lifestyle reflective of that worldview. Lisefski emphasizes the importance of fine craftsmanship, healthy building materials, and the DIY spirit that drives him and many in his circle. At the heart of their homes stands a commitment to environmental stewardship. Lisefski describes his hope for tiny-house living as a means for “catalyzing a mass lifestyle shift in which society turns to commonsense, human-scale housing solutions, as well as a broader shift from consumption and acquisition to gratitude, freedom, and peace.” That is what I thought tiny houses were about. My understanding has since been challenged.

    To start, AIANY defined tiny houses as single-family homes no larger than 450 square feet. Somewhere along the way to developing the final presentation, the scope was broadened to include “small” houses, too. These were described as having the same footprint as tiny homes with additional square footage in the form of lofts, upper levels, and lower levels to make room for one, two, or three bedrooms. (It is worth noting that today’s tiny house pioneers typically build structures measuring closer to 160 square feet.)

    Ice house example. Photo: Dale Mulfinger.

    Ice house example. Photo: Dale Mulfinger.

    The panelists were tasked with tracing the trajectory of the tiny home’s rise—beginning in 1995 at the peak of the building boom, when houses began to get much larger than their predecessors. “Cabinologist” Dale Mulfinger, based in Minnesota, discusses an early form of small dwellings—the ice house. He notes its flexibility, explaining that some are taken off the water and used as cabins in summer months. Of course, early settlers depended on wood and built log cabins, which Mulfinger characterizes as practical, adaptable, and transportable. “Architects are always being challenged by the idea of the cabin,” he says.

    He then moves to the example of a heavily glazed modern “cabin” by architect Ralph Rapson, FAIA (1914-2008), describing it as a “radical structure.” Perched on a bank of the Apple River in Wisconsin, it stacks three tiers of Andersen glass-sliding doors on all four sides. Its square footage isn’t given, but Mulfinger’s point is: “Small structures don’t necessarily remain small.”

    Somewhere between the ice house, the glass cube, and the adaptations of barns and garages, Mulfinger finds a place for space-saving innovations such as his alternating-treads stair, suggesting it is ingenuity that is required for small-home appeal. Is that what the tiny house is about?

    Not So Big House by Sarah Susanka, 1998. Photo: Julie Trelstad.

    Not So Big House by Sarah Susanka, 1998. Photo: Julie Trelstad.

    Julie Trelstad, founder of 82 Stories, a bookselling and publishing services platform, weighs in with ideas informed by her time at The Taunton Press. She calls 1995 “a point of inflection,” when houses tipped over the 2,000-square-foot mark. At the same time, in the book-publishing industry, there was a trending interest in small houses. Enter Sarah Susanka’s book, Not So Big House, published in 1998, which featured comparatively small houses; they are considered rather large today. Trelstad appreciates the quality of a build over the quantity of its square feet, though she notes the promised real estate value inherent in the latter.

    Sustain MiniHome. Photo: Andy Thomson.

    Sustain MiniHome. Photo: Andy Thomson.

    Ontario-based TreeHugger.com editor Lloyd Alter—whom Chapman describes as the “maverick” among us—has been an architect, real estate developer, and prefab entrepreneur. Once a proponent of tiny homes and prefabricated housing, his current disenchantment with both is striking. “As a developer, I was appalled by the inefficiency of site construction, and I thought prefabrication would be a better approach,” he explains. “I introduced the idea of small prefab houses—my thinking was that not only the wealthy should be able to own a home designed with flair and skill by a good architect. The problem was only the wealthy could afford them.” (Modular homes are expensive to ship.)

    He segues into the recreational vehicle as an alternative, noting its efficient design and flexible allowances. “It is something that transcends borders,” he says. “There’s a place to put it without needing to own land.” On the other hand, in his view, the RV comes with negative cultural associations. He then looks at the Sustain MiniHome, a prefab modeled after an upscale resort. But at $120K, he says, it shocked RV buyers, i.e. there was a mismatch. He points to another hopeful model: Sweden’s Friggebod, named after Swedish Housing Minister, Birgit Friggebo, who changed the building codes to exempt structures under 150 square feet from needing a building permit. However, that kind of wild frontier has resulted in structures that continue to grow “taller, longer, and weirder.” And affordability remains elusive. According to Lloyd, tiny houses over $25K don’t make sense.

    “In North America, we got this romantic image of the tiny house on wheels, first promoted by Jay Shafer, and it really had nowhere to go,” he adds, pointing to “terrible features” of tiny houses, including “head-banger” lofts, primitive amenities, and over time, disproportionately sized kitchens, which he says, contribute to poor indoor air quality. All told, he is “totally disillusioned with the idea of tiny houses.”

    His provocations invite the question: Low-brow vs. high-brow—is that what tiny houses are about?

    Photo: Geoffrey Warner.

    weeHouse by Alchemy Architects. Photo: Geoffrey Warner.

    Geoffrey Warner of Alchemy Architects encourages us to “embrace the box,” but he makes the distinction between a “jewel box” like his weeHouse and a pole barn, an economic convention. “Because the weeHouse is small it can be luxe.” For Warner, the building type is an opportunity to connect people to the natural world. He views tiny houses as having become “less about minimal cost and more about maximizing the experience of nature.” This notion is something he describes as “the luxury of less.”

    Klein A45 cabin by Bjarke Ingels Group. Photo: Matthew Carbone.

    Klein A45 cabin by Bjarke Ingels Group. Photo: Matthew Carbone.

    In the same vein, Kai-Uwe Bergmann of Bjarke Ingels Group presents his Klein A45 cabin as “the answer to urban life—a home in nature.” The modular 180-square-foot off-grid structure is an architectural marvel, notable for its “faceted” or “shifted” frame with glazed opening for optimizing the interior volume. Bergmann describes the Nordic-influenced structure as “Lutheran luxury.” It is his answer to the question: “How can we be both generous and cost-efficient?”

    The word luxury comes up a lot during the discussion. Is that what the tiny house is about?

    Dr. Maria Saxton of NANO—Tiny Life Innovators gets at the environmental sustainability angle. She shares a few of the findings of her research, which looks at the relationship between downsizing to a tiny house and one’s ecological footprint. Her study divides “ecological footprint” into five components: housing, food, transportation, goods, and services. In addition to reduced building materials and fewer carbon emissions, tiny-house living results in behavioral changes. The average ecological footprint of the 80 people in the study was significantly decreased after downsizing. While living in conventional homes, each participant used 7.01 global hectares (gha) of resources; after downsizing to a tiny home, they used 3.87 gha. “If 10 percent of Americans lived in a tiny home, we could save about 366 million acres of resources,” Saxton concludes.

    Interestingly, there was a tendency toward increased transportation. Building code restrictions have led to the siting of tiny houses in more rural locations, which results in the need to drive longer distances for goods and services. Similarly, in some cases, space restrictions and decreased access to curbside pick-up resulted in less recycling. “Future designs can possibly address these potentially negative consequences,” says Saxton, who also briefly touches on the potential role of tiny homes as part of a sustainable housing solution. Is that what tiny homes are about?

    Binishells house. Photo: Jason Pilarsky.

    Binishells house. Photo: Jason Pilarsky.

    Nicolo Bini of Binishells, a construction technology firm, introduces an atypical design featuring a pneumoform anchored to a circular slab foundation. Its construction includes the inflation of the form, application of shotcrete, and removal of the form, which can be reused. The result is a passive-house-level-performance shell. Bini touts its structural efficiency and durability under seismic and wildfire conditions. He also suggests it is a cost-effective structure: “When you have a monolithic material with no connections, labor and materials costs are lowered.” He applied this system to the tiny house typology; that application does not require air-pressure inflation, though it includes all of the advantages of a thin-shelled structure. Bini advocates for site-built structures with prefab MEP cores. He also indicates the design has potential as a low-cost solution to the need for disaster-relief housing. Is that what tiny homes are about?

    Screenshot of the film Ready Player One, 2018, by Warner Bros.

    Screenshot of the film Ready Player One, 2018, by Warner Bros.

    I surmise that the tiny house begs more questions than it answers—including its very definition. The most commonly asked questions from webinar attendees can be tucked into three basic categories: cost, construction, and code. When and where do tiny homes make sense? Why are they so expensive? Can you really live comfortably in such a small space? Are they an authentic connection to nature?

    Personally, I see tiny homes as having a role in natural disaster relief, the affordable housing crisis, and sustainable neighborhood development. For me, that is what tiny homes are about. That said, I love a building type that sparks controversy, contemplation, and creativity. In that regard, I think all of us can agree, the tiny house is the perfect fit.

  • May 18, 2020

    Each year the Boston Society of Architects/AIA (BSA/AIA), often in collaboration with other organizations, sponsors awards programs to honor design excellence in Massachusetts, throughout New England, and beyond. This year is the inaugural award competition specifically for single-family, detached custom designed homes. By recognizing remarkable achievements in architecture, the design community highlights exemplary projects that serve as inspiration for practitioners. Equally important, these awards elevate the potential for positive impact that architecture has on quality of life for everyone.

    Projects may be single-family homes. This program is co-organized by the Boston Society of Architects (BSA) Residential Design Committee and AIANY Custom Residential Architects Network.

    Deadline: Friday, August 7, 2020, 11:59 pm. For more information contact the Boston Society of Architects/AIA at awards@architects.org or 617.391.4026. Learn more here.

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