Namita Modi, AIAModi Architecture Design + fabrication (MAD+FAB)
Dennis Wedlick, FAIABarlisWedlick Architects
February 26, 2021
Zack Semke, Director and Curator of Programming, Passive House Accelerator and moderator of the committee’s recent Research Practice Series: High Performance Homebuilders program, discusses the importance of Passive House residential design.
When Dennis Wedlick invited me to moderate the AIANY Custom Residential Architects Network’s January 26 program Research Practice Series: High-Performance Homebuilders, I jumped at the chance. It was a privilege to introduce the basic principles of Passive House design to the audience, introduce four pioneering single-family projects, and moderate a lively discussion between project teams. As director of Passive House Accelerator, I welcomed the opportunity to connect with AIANY members around a topic near and dear to my heart: how to decarbonize the building sector.
Passive House Accelerator is an independent, open-source, online platform that shares Passive House information, lessons-learned, and best practices to help designers and builders accelerate the adoption of deep energy efficiency in new builds and retrofits. Our aspiration is to serve as a catalyst for zero-carbon building. We publish articles, produce the Passive House Podcast, and present a steady stream of online events, including Passive House Accelerator Construction Tech every Tuesday and the Global Passive House Happy Hour every Wednesday, which Dennis presented at on Wednesday, February 17.
We’ve been doing these online events for nearly 50 weeks now, ever since COVID-19 lockdowns began. Well over 3,000 people have attended at least one program during that time and a dedicated core community of a few hundred has coalesced. We are seeing firsthand that interest in Passive House design and construction is on the rise.
WHY PASSIVE HOUSE?
So, why Passive House? This photo shows the interior of a Passive House retrofit designed by Michael Ingui of Baxt Ingui Architects, one of our January 26 panelists and a founder of Passive House Accelerator. When Michael talks with clients about the reasons for doing Passive House design, he doesn’t necessarily mention the term “Passive House”. Instead, he’ll ask his clients if they want a better building. Do they want a building that’s sealed off from dust and bugs and unwanted moisture and odors? Do they want an indoor environment of clean, fresh air? Do they want warm walls and floors so that they can walk around in bare feet even in the dead of winter? Do they want a structure that is quiet and peaceful, creating a serene indoor sanctuary?
Only then does Michael discuss the sustainability benefits of Passive House and the role that Passive House design and construction can play in addressing climate change.
And make no mistake, Passive House has a big role to play in climate action. We all know that we need to get to zero greenhouse gas emissions by 2050 or earlier, and that buildings make up at least 40% of the emissions problem. They are therefore also 40% of the solution. We need to decarbonize our buildings.
The math of zero-carbon building is fairly straight forward. First, we need to maximize energy efficiency. Then we need to minimize embodied carbon, electrify everything, and power it all with 100% renewable energy. There is no better way of reducing building energy consumption—of dramatically improving energy efficiency in a cost-effective and optimized way—than through Passive House design and construction. If you combine Passive House, low embodied carbon construction, electrification, and renewables, you can achieve zero-carbon building.
WHAT IS PASSIVE HOUSE?
The term “Passive House” is a bit of a misnomer in English; in the original German, “Passivhaus” means “passive building”. People are often surprised that Passive House design applies to all building types: schools, high-rise towers, institutional buildings, commercial spaces, and yes, single-family homes. Passive House buildings can also take on any style or shape, offering architects plenty of design flexibility. Passive House is about performance, not proscriptions.
Unlike checklist-based green building certifications like LEED, Passive House certification is focused on just three performance metrics based on good building science: heating and cooling demand (aka thermal energy demand intensity or TEDI), primary energy demand (aka energy use intensity or EUI), and air tightness.
In North America, there are two routes to Passive House certification for practitioners: the certification offer by the Passive House Institute (PHI) in Darmstadt, Germany and the certification offered by the Passive House Institute US (PHIUS) in Chicago. There are important differences between the two certifications (PHIUS has focused on modifying the three metrics based on the climate zone of any given project, for example), but both certifications share a focus on TEDI, EUI, and airtightness, and both employ a common suite of passive building design techniques to hit their ambitious performance targets.
FIVE PASSIVE HOUSE PRINCIPLES
The classic way to explain Passive House design is through the “Five Passive House Principles”. (Note: the illustrations below are available to readers as part of a Creative Commons license, with attribution to Passive House Accelerator.)
The first principle is to create a continuous layer of insulation around the building, wrapping it in a cozy sweater to keep it warm during the winter and cool during the summer.
The second principle is to establish an uninterrupted air barrier around the building envelope, creating an unbroken “red line” of airtightness with tapes and membranes to seal off energy-sucking leaks (as well as the dust, bugs, and unwanted moisture that Michael discusses with his clients).
The third principle is to provide a constant supply of filtered, fresh air into the building with heat/energy recovery ventilation (H/ERV). H/ERV units transfer the heat energy from outgoing exhaust air into the incoming fresh air that is being taken into the building, all without the two airstreams ever mixing. The result is superior indoor air quality with almost no heat energy loss.
Fourth, we focus on thermal bridge-free design and construction. A common example of a thermal bridge is a concrete slab that extends from the interior to the exterior. Even the studs in an insulated exterior wall can become energy-sapping and moisture-inducing thermal bridges. Passive House designers create thermal breaks in building assemblies to avoid thermal bridges.
Fifth, we use high-performance windows and doors—typically triple glazed.
We bring all this together into a holistic solution using digital tools to optimize for both cost and performance.
As an architect, you don’t have to be a building physicist to harness the power of Passive House building science and Passive House design tools. If you are pursuing PHI certification, you’ll use the the Passive House Planning Package (PHPP) as your digital tool. If you are pursuing PHIUS certification, you’ll use Wufi-Passive. In either case, you or someone on your team will also likely take advantage of some of the suite of digital tools that help with thermal and hygrothermal analysis of assemblies, like Therm, Flixo, and Wufi.
THE FOUR VIDEO STORIES
With that Passive House intro under your belt, I encourage you to take in the four compelling video stories presented at the January 26 event. The first video stars Michelle Tinner and James Moriarty of Sustainable Comfort discussing an affordable, multi-family Passive House development. The second features Jen and Brian Marsh and builder Jason Endres talking about a single-family Passive House project. The third features Buck Morehead and Kevin Dunathan discussing their single-family project that got paused midstream but was then rescued by a new contractor. The final story features Michael Ingui and Andrew Fishman as they describe their ambitious Passive House retrofit of an historic masonry structure in New York City. They are all inspiring stories, each with a unique take on the application of the five Passive House principles in the real world and the emerging power of architects to dramatically reduce building energy use, and therefore operational carbon emissions. Let’s take their lead!
September 18, 2020
One year ago, Namita Modi and I launched this knowledge committee with a panel discussion held at the Center for Architecture titled The Architect’s Challenge: Work/Family Balance. Who could ever imagine a time when the majority of New York City architects would be required to work from home to limit the spread of a deadly disease? The working conditions that Americans are enduring because of COVID-19 are so stressful that the US Centers for Disease Control and Prevention have created a dedicated webpage to offer advice on how to recognize what stress looks like, take steps to build resilience, and know where to go if you need help. Learn more here.
One year ago, we invited architects and residential designers—Jane Frederick, Hayes Slade, James Slade, Sofia Zimmerman, Adam Zimmerman, Billie Tsein, and Tod Williams—who are design partners with their spouses to have a conversation regarding work/family balance. We were so pleased with the results and felt that there was an uplifting take-away that we should share with our colleagues during these trying times. Throughout their careers, all endured work crises and family crises—as all architects do. Yet, the entire conversation circled around the joy of architecture, the joy of dedicating their life to their vocation, and the joy of engaging their family—their spouses, their children, and parents—in their work. Perhaps, none would be able to be as single minded about their seemingly endless capacity to achieve a happy work/family balance if we held the conference today; but, the summary below, which was written soon after the panel discussion, explains how they felt back then and we felt it was worth sharing again.
Namita and I hope everyone gets the help they need to be as safe and sound as the possibly can be during these trying times.
AIANY CRAN Review of the September 18, 2019 The Architect’s Challenge: Work/Family Balance,—a frank discussion with practitioners who co-own architecture firms with their spouses, written by Dennis Wedlick, co-chair of AIANY CRAN. (Written 9/25/2019 by Dennis Wedlick.)
Residential architects and their loved ones know that practices like ours require the business owners to work all hours of the day, all days of the week, and all weeks of the year. Spouses, children, parents, siblings, and friends all experience firsthand our round-the-clock workload: Builders reach out to us in the morning and late evening, while vendors, consultants, and colleagues keep us busy all during the day, and then clients have us going well into the night, on weekends, and even during holidays. Our collective experiences caring for our families and other loved ones while tending to the 24/7 needs of our businesses translates to a challenge that can threaten our abilities as both caregivers and practitioners. Those personal experiences—trying to give equally to our practices and our loved ones—inspired the idea for the panel discussion entitled “The Architect’s Challenge: Work/Family Balance.”
Why hold a panel discussion on work/family balance specifically with practitioners who co-own their architecture firms with their spouses?
At AIANY events and AIA national conferences and symposiums, between sessions about best professional practices, the conversation among architects who own a small practice quickly turns from work to more personal matters—such as getting children into good schools, providing resources for aging parents, or helping a disabled friend get the support he/she needs. Once my co-chair Namita Modi and I decided to hold a panel discussion to address this challenge of work/family balance, we needed to determine who to invite to participate. Although all architects face work/family challenges, we decided to specifically host a conversation between architects who own practices with their spouses. Why? Two reasons: Firstly, all the panelists would be in a similar situation—an apples-to-apples comparison of one type of practitioner—one who co-owns a practice with their spouse—experiences work/family balance. Secondly, we assumed that architects who co-owned their practice with their spouse might find work/family balance doubly challenging when compared to architects whose business partner was not their spouse because both business owners would be dealing with the exact same work/family needs at the same time. We thought this particular set of panelists would highlight for the audience the work/family challenges that are unique to the practice of architecture.
Through a jovial, thought-provoking conversation led by Dr. Oppenheim, the panelists offered a plethora of tried-and-true ideas for minimizing the challenges of balancing work and family needs.
As we all experienced on September 18, 2020 at the Center for Architecture, simply by answering questions about their work and their personal lives offered to them by Dr. Oppenheim—a skilled, probing, and engaging moderator—the panelists, Jane Frederick, Hayes Slade, James Slade, Sofia Zimmerman, Adam Zimmerman, Billie Tsein, and Tod Williams shared a frank presentation of the day-to-day story of their business and family life. To my surprise and delight, the panel discussion highlighted tried-and-true ideas for achieving work/family balance. They offered a plethora of positive experiences and thoughtful reflections about balancing work and with family needs that all can learn from. They did so jovially, humbly, without an agenda or aim. Their stories relay a career being immersed in their work 24/7, having their family fully integrated into their work lives, and knowing that working hard at architecture was a shared adventure of the whole family. Treasured stories about raising children, caring for aging parents, and working together—all the time—were told consistently as examples of why they love their chosen career paths.
An unexpected takeaway: Comfortably blending your work life into your family life might be less stressful than trying to divorce the two.
When we listen to the conversation, we heard thoughts that may be unique for these panelists who co-own their practice with their spouses but may be useful takeaways for all architects. As an example, the panelists confirmed that their work life was entirely blended into their family life, and that was not only okay, but a good thing for all of them. Once it was explained, it was obvious to me how challenging it was for me to divorce my work life from my family life, particularly because residential architecture is a 24/7 business. Because my spouse was not my business partner when a call came in on the weekends, or I spent evenings thinking about a design problem, I would worry that my work was taking time away from being with family. And, when my business partner was called home for an unexpected family matter, he worried that his family was taking him away from the work that needed to be done. This is what leads to a feeling of imbalance that the married-to-their-partner panelists avoid because they share in everything: work and family. Therefore, one takeaway for me was: While challenging, maybe helping your family feel at home with your 24/7 work may be less stressful than trying to divorce them from your business, your passion. The panelists make it clear that architects cannot be their best possible selves—enjoying a happy family life while pursuing a successful business—if they feel pressured to compromise one for the other.
Conclusion: By sharing in conversations about work/family balance, we can learn from each other’s experiences. We encourage our fellow architects to continue these important discussions about our social well-being as a community of design professionals who are frequently under considerable stress and anxiety because of the challenges we face in our chosen profession.
We at AIANY CRAN are so grateful to all who participated, and we hope it will inspire future events to explore the work/family balance challenges that we all face.
September 11, 2020
The Residential Architecture Now: Mid-Hudson Valley webinar was hosted on September 2, 2020
Residential Architecture Now is a community-by-community survey produced by AIANY CRAN to help our colleagues, students, and residential design enthusiasts learn about the trends, inspirations, and resources related to a particular community of people within and near New York City. The results of our survey are presented with a series of panel discussion, which were originally to be held at the Center for Architecture until the pandemic of COVID-19 brought about a shift in our plans: We now present our findings using a webcast platform. That shift opened up the possibility of testing new ideas for sharing the knowledge and experience of our design colleagues.
For our exploration of residential architecture of the Mid-Hudson Valley, we asked four residential designers if they would be able to create short films about their work, and specifically we asked that they produce a conversation in the style of NPR Story-Corp. We were delighted that all four were excited to do so and produced their own interpretation of that request.
Below you will find the four short films included in the Res Arch Now: Mid-Hudson Valley survey accompanied by photographs of the projects featured and discussed during the conversations recorded. All four conversations describe the panelists’ experience designing modern homes in the most rural locations of this rural region of the Hudson Valley. All projects are located in the middle stretch of the Hudson Valley, north of Poughkeepsie and up to and including Hudson, New York. While this region is between a one and two hour drive north of Manhattan, it is primarily made up of thinly populated townships, villages and hamlets. Hudson is the only city included in the survey and its population is no more than 8,000 people. For the full webcast, which includes live introductions to the films and a live round table discussion that took place after the films were shown, please see the Res Arch Now, Mid-Hudson Valley video archive link, which will be posted soon.
The Stone House, built by Peggy Anderson LLC, located in Columbia County, NY
Builder: Peggy Anderson LLC. Architect: Steven Harris Architects. Photo: Cliff Goldthwaite.
A conversation between Rural Intelligence Design Writer, Sherry Jo Williams and designer/builder, Peggy Anderson regarding her residential adaptive reuse of a nineteenth century tavern for her private residence, and a Hudson Valley home that her construction firm built recently in Columbia County, which was designed by Steven Harris Architects.
Cat Hill, home and fitness studio of Niki Nolan, located in the wooded surrounds of New Paltz, NY
A conversation between architect Marica McKeel and her client Niki Nolan regarding the design and construction of her newly constructed home and fitness studio overlooking the Shawangunk and Catskill Mountains.
Little Ghent Farm, the home, farm, and market of Mimi and Richard Beaven, located in Columbia County, NY
Design Firm: Pelone Bailey Architects. Photo: Adrian WM Jones
Mimi and Richard Beaven describe their experience designing and building their Little Ghent Farm—a home, farm, and market located just south of Hudson, NY— by answering questions presented to them by the architect, Neil Pelone of Pelone Bailey Architects.
The Accord House, home of Peter Reynolds, a certified Passive House built in the foothills of the Catskills
A conversation between design principal and Passive House consultant, Stephanie Bassler of North River Architecture and Planning, and her senior designer Peter Reynolds, describing their experience designing and building his certified Passive House home in Accord, NY.
June 4, 2020
AIA New York hosts seven panelists to expound on the movement toward homes that support smaller living… but what is it really all about? Watch the event video here.
By Kiley Jacques
When Peter Chapman, a senior editor and colleague at The Taunton Press, first approached me about participating in AIANY’s webinar on tiny houses, I believed I understood the topic at hand. Past conversations with Alek Lisefski, founder of The Tiny Project, as well as David Latimer, Ethan Waldman, Joshua Engberg, and Jenna Spesard—all of whom are said to be forerunners of today’s tiny house movement—left me with the impression that tiny houses are a physical manifestation of an ecological ideology, and those who build and live in them do so to support a lifestyle reflective of that worldview. Lisefski emphasizes the importance of fine craftsmanship, healthy building materials, and the DIY spirit that drives him and many in his circle. At the heart of their homes stands a commitment to environmental stewardship. Lisefski describes his hope for tiny-house living as a means for “catalyzing a mass lifestyle shift in which society turns to commonsense, human-scale housing solutions, as well as a broader shift from consumption and acquisition to gratitude, freedom, and peace.” That is what I thought tiny houses were about. My understanding has since been challenged.
To start, AIANY defined tiny houses as single-family homes no larger than 450 square feet. Somewhere along the way to developing the final presentation, the scope was broadened to include “small” houses, too. These were described as having the same footprint as tiny homes with additional square footage in the form of lofts, upper levels, and lower levels to make room for one, two, or three bedrooms. (It is worth noting that today’s tiny house pioneers typically build structures measuring closer to 160 square feet.)
The panelists were tasked with tracing the trajectory of the tiny home’s rise—beginning in 1995 at the peak of the building boom, when houses began to get much larger than their predecessors. “Cabinologist” Dale Mulfinger, based in Minnesota, discusses an early form of small dwellings—the ice house. He notes its flexibility, explaining that some are taken off the water and used as cabins in summer months. Of course, early settlers depended on wood and built log cabins, which Mulfinger characterizes as practical, adaptable, and transportable. “Architects are always being challenged by the idea of the cabin,” he says.
He then moves to the example of a heavily glazed modern “cabin” by architect Ralph Rapson, FAIA (1914-2008), describing it as a “radical structure.” Perched on a bank of the Apple River in Wisconsin, it stacks three tiers of Andersen glass-sliding doors on all four sides. Its square footage isn’t given, but Mulfinger’s point is: “Small structures don’t necessarily remain small.”
Somewhere between the ice house, the glass cube, and the adaptations of barns and garages, Mulfinger finds a place for space-saving innovations such as his alternating-treads stair, suggesting it is ingenuity that is required for small-home appeal. Is that what the tiny house is about?
Julie Trelstad, founder of 82 Stories, a bookselling and publishing services platform, weighs in with ideas informed by her time at The Taunton Press. She calls 1995 “a point of inflection,” when houses tipped over the 2,000-square-foot mark. At the same time, in the book-publishing industry, there was a trending interest in small houses. Enter Sarah Susanka’s book, Not So Big House, published in 1998, which featured comparatively small houses; they are considered rather large today. Trelstad appreciates the quality of a build over the quantity of its square feet, though she notes the promised real estate value inherent in the latter.
Ontario-based TreeHugger.com editor Lloyd Alter—whom Chapman describes as the “maverick” among us—has been an architect, real estate developer, and prefab entrepreneur. Once a proponent of tiny homes and prefabricated housing, his current disenchantment with both is striking. “As a developer, I was appalled by the inefficiency of site construction, and I thought prefabrication would be a better approach,” he explains. “I introduced the idea of small prefab houses—my thinking was that not only the wealthy should be able to own a home designed with flair and skill by a good architect. The problem was only the wealthy could afford them.” (Modular homes are expensive to ship.)
He segues into the recreational vehicle as an alternative, noting its efficient design and flexible allowances. “It is something that transcends borders,” he says. “There’s a place to put it without needing to own land.” On the other hand, in his view, the RV comes with negative cultural associations. He then looks at the Sustain MiniHome, a prefab modeled after an upscale resort. But at $120K, he says, it shocked RV buyers, i.e. there was a mismatch. He points to another hopeful model: Sweden’s Friggebod, named after Swedish Housing Minister, Birgit Friggebo, who changed the building codes to exempt structures under 150 square feet from needing a building permit. However, that kind of wild frontier has resulted in structures that continue to grow “taller, longer, and weirder.” And affordability remains elusive. According to Lloyd, tiny houses over $25K don’t make sense.
“In North America, we got this romantic image of the tiny house on wheels, first promoted by Jay Shafer, and it really had nowhere to go,” he adds, pointing to “terrible features” of tiny houses, including “head-banger” lofts, primitive amenities, and over time, disproportionately sized kitchens, which he says, contribute to poor indoor air quality. All told, he is “totally disillusioned with the idea of tiny houses.”
His provocations invite the question: Low-brow vs. high-brow—is that what tiny houses are about?
Geoffrey Warner of Alchemy Architects encourages us to “embrace the box,” but he makes the distinction between a “jewel box” like his weeHouse and a pole barn, an economic convention. “Because the weeHouse is small it can be luxe.” For Warner, the building type is an opportunity to connect people to the natural world. He views tiny houses as having become “less about minimal cost and more about maximizing the experience of nature.” This notion is something he describes as “the luxury of less.”
In the same vein, Kai-Uwe Bergmann of Bjarke Ingels Group presents his Klein A45 cabin as “the answer to urban life—a home in nature.” The modular 180-square-foot off-grid structure is an architectural marvel, notable for its “faceted” or “shifted” frame with glazed opening for optimizing the interior volume. Bergmann describes the Nordic-influenced structure as “Lutheran luxury.” It is his answer to the question: “How can we be both generous and cost-efficient?”
The word luxury comes up a lot during the discussion. Is that what the tiny house is about?
Dr. Maria Saxton of NANO—Tiny Life Innovators gets at the environmental sustainability angle. She shares a few of the findings of her research, which looks at the relationship between downsizing to a tiny house and one’s ecological footprint. Her study divides “ecological footprint” into five components: housing, food, transportation, goods, and services. In addition to reduced building materials and fewer carbon emissions, tiny-house living results in behavioral changes. The average ecological footprint of the 80 people in the study was significantly decreased after downsizing. While living in conventional homes, each participant used 7.01 global hectares (gha) of resources; after downsizing to a tiny home, they used 3.87 gha. “If 10 percent of Americans lived in a tiny home, we could save about 366 million acres of resources,” Saxton concludes.
Interestingly, there was a tendency toward increased transportation. Building code restrictions have led to the siting of tiny houses in more rural locations, which results in the need to drive longer distances for goods and services. Similarly, in some cases, space restrictions and decreased access to curbside pick-up resulted in less recycling. “Future designs can possibly address these potentially negative consequences,” says Saxton, who also briefly touches on the potential role of tiny homes as part of a sustainable housing solution. Is that what tiny homes are about?
Nicolo Bini of Binishells, a construction technology firm, introduces an atypical design featuring a pneumoform anchored to a circular slab foundation. Its construction includes the inflation of the form, application of shotcrete, and removal of the form, which can be reused. The result is a passive-house-level-performance shell. Bini touts its structural efficiency and durability under seismic and wildfire conditions. He also suggests it is a cost-effective structure: “When you have a monolithic material with no connections, labor and materials costs are lowered.” He applied this system to the tiny house typology; that application does not require air-pressure inflation, though it includes all of the advantages of a thin-shelled structure. Bini advocates for site-built structures with prefab MEP cores. He also indicates the design has potential as a low-cost solution to the need for disaster-relief housing. Is that what tiny homes are about?
I surmise that the tiny house begs more questions than it answers—including its very definition. The most commonly asked questions from webinar attendees can be tucked into three basic categories: cost, construction, and code. When and where do tiny homes make sense? Why are they so expensive? Can you really live comfortably in such a small space? Are they an authentic connection to nature?
Personally, I see tiny homes as having a role in natural disaster relief, the affordable housing crisis, and sustainable neighborhood development. For me, that is what tiny homes are about. That said, I love a building type that sparks controversy, contemplation, and creativity. In that regard, I think all of us can agree, the tiny house is the perfect fit.
May 18, 2020
Each year the Boston Society of Architects/AIA (BSA/AIA), often in collaboration with other organizations, sponsors awards programs to honor design excellence in Massachusetts, throughout New England, and beyond. This year is the inaugural award competition specifically for single-family, detached custom designed homes. By recognizing remarkable achievements in architecture, the design community highlights exemplary projects that serve as inspiration for practitioners. Equally important, these awards elevate the potential for positive impact that architecture has on quality of life for everyone.
Deadline: Friday, August 7, 2020, 11:59 pm. For more information contact the Boston Society of Architects/AIA at firstname.lastname@example.org or 617.391.4026. Learn more here.
Tue, 11/16/21, 6:00pm
Thu, 8/12/21, 12:00pm
Thu, 7/22/21, 12:00pm
Thu, 6/17/21, 12:00pm
Wed, 6/2/21, 6:00pm