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- Jessica Sheridan, Assoc. AIA, LEED AP
Event: A Space Within: The National September 11 Memorial & Museum Panel Discussion
Location: Center for Architecture, 07.01.09
Speakers: Michael Arad, AIA — Partner, Handel Architects; Craig Dykers, AIA — Project Director, Snøhetta; Steven Davis, FAIA — Partner, Davis Brody Bond Aedas; Matthew Donham — Partner, Peter Walker Partners Landscape Architecture
Moderator: Thomas Mellins — Exhibition Curator, A Space Within: The National September 11 Memorial & Museum
Introduction: Joseph C. Daniels — President & CEO, National September 11 Memorial & Museum at the World Trade Center Foundation
A rendering of the 9/11 Memorial waterfalls.
“Nearly eight years have passed since 9/11, and the public wants to know what is going on,” stated Thomas Mellins, curator of A Space Within: The National September 11 Memorial & Museum, now on view at the Center for Architecture. Moderating a panel of designers working at Ground Zero, Mellins raised questions about the timing of design and construction, and factors leading to design decisions. With literally hundreds of designers and engineers working at the site, collaboration has been trying at times, to say the least. But despite the strong-willed individuals running design teams, at the end of the day, decisions are being made, steel is being topped out, and nothing is being left on the table, said Steven Davis, FAIA, partner at Davis Brody Bond Aedas, the firm designing the 9/11 Memorial Museum. “It’s finally physical and we’re all excited,” remarked Matthew Donham, partner at Peter Walker Partners Landscape Architecture.
A voice of optimism, Davis discussed how rewarding it is to see progress made daily. “Forms are emerging, buildings are being topped out; it’s all going all right,” he said. Michael Arad, AIA, partner at Handel Architects and designer of the National 9/11 Memorial, admitted that, although the first year seemed very slow, recently time has moved faster. Given the opportunity, though, he would not opt for more time to develop the memorial. Those involved needed to be pushed to make decisions and to come to a consensus, he claimed. Craig Dykers, AIA, project director at Snøhetta and architect of the 9/11 Memorial Museum Pavilion, agreed with Arad, but felt that perhaps more time was needed before the design process began. Although this is not possible in a city like NYC (”things aren’t always done logically,” he said), Dykers believes that the disjuncture between the political process and necessary healing time will yield interesting results.
Despite the pressured schedule, there were many other factors that influenced the design and addressed the challenge of how to create a space apart from, yet a part of, the city. When considering the plaza, Arad realized he had to facilitate among different types of visitors — those who will come once in a lifetime, every day, and anywhere in between. He wanted to construct a place accessible from all sides of the site. The planting strategy of the grove of trees responds to the perimeter conditions while providing a quiet, cool refuge from the city, explained Donham. The trees align in rows to direct visitors through an east/west axis, but the grid shifts for those entering from the north or south, allowing visitors to meander through at a slower pace, Davis elaborated.
For Arad, the political decision to require 10 million square feet of office space dramatically influenced the site’s overall development. Although Fulton and Greenwich Streets are being restored to the site, Fulton Street has shifted from its historic location to allow more space for One World Trade Center (formerly called Freedom Tower). The site, therefore, is divided into four unequal quadrants. In addition, for Donham, negotiating the complex infrastructure on the site was one of the biggest challenges. Each vent and pipe was placed to prevent problems in construction.
Below grade, Davis discussed his “inverted” design process. The museum’s form is defined by the memorial pools above; the slurry wall, PATH station, chiller plant, and 1WTC along the sides; and bedrock below. “Small buildings are a luxury in New York,” Dykers stated when describing the pavilion as a small, intimate space that contrasts the ever-growing city. While the program has been redefined several times, his goal has always been to provide an oasis in the city, a space where people can go to calm down. Part of the genius of the original Studio Daniel Libeskind-designed master plan, according to Dykers, was the provision for a cultural institution on site. Instead of segregating programs, autonomy was encouraged, which reflects the overlapping layers and complexity of the community.
Emotions about the design of the site still run high, as was revealed during the Q&A. Criticism ranged from siting the museum under ground to there not being enough information about the stories of the individuals who perished. Although the museum is planning a number of interactive displays, podcasts, and videos, some family members questioned how accessible the stories will be to “average” people who are not as “tech-savvy and intellectual” as the designers. Perhaps Arad addressed the questions most succinctly when asked to define sacred space. He used Jerusalem’s Western Wall as an example of a place that is unquantifyingly spiritual: “A place such as that is not something you can promise to deliver, but it is what we hope to create.”
Event: New Accessibility Requirements in the 2008 NYC Building Code
Location: Center for Architecture, 06.25.09
Speaker: Keith Wen, RA — Acting Director of Code Development and Interpretation, NYC Department of Buildings
Organizers: NYC Department of Buildings; AIANY
Now that it is July 2009, the NYC 2008 Construction Codes have gone into effect along with new accessibility requirements. Keith Wen, RA, acting director of code development and interpretation at the NYC Department of Buildings, recently discussed the first significant overhaul of the regulations since Local Law 58/87 launched in 1987. Here are some key highlights:
· Entrances (BC 1105). All public entrances, including restricted entrances, must be 100% accessible.
· Platform Lifts (BC 1109.7). Both vertical and inclined platform lifts are not permitted in New Construction, except in performance areas in Group A; wheelchair spaces in assembly areas; private spaces with less than five occupants; within dwelling units; and in interior courtrooms.
· Elevators (BC 3002.4). Buildings with five stories or more in height must accommodate ambulance stretchers.
· Limited Use/Limited Application (LULA) Elevators (BC 1109.6). In New Construction, LULA can only be used in buildings of less than 10,000 square feet that serve fewer than three contiguous floors; where a wheelchair lift or a private residence elevator is permitted; or in houses of worship. The maximum rise of LULA elevators is limited to 25 feet.
· Toilet Rooms (BC 1109.2). Unisex toilet rooms are required in Assembly and Mercantile occupancies where the number of water closets is six or more, male and female combined.
· Unisex/Single User Toilet rooms (A117.1, Section 604). Lavatories cannot overlap clear floor space.
· Accessible Means of Egress (Section 1007). At least one Accessible Means of Egress is required in accessible spaces. At least two Accessible Means of Egress are required where there are two or more means of egress.
To learn more about Wen’s presentation, click the links to download: Accessibility-AIA-06-09-Printout-SM.pdf and Applicability of 08 Code-Printout.pdf
Event: Basic Bioclimatic Design: High Performance, Simplified
Location: Center for Architecture, 06.22.09
Speakers: Hillary Brown, FAIA, LEED AP — Principal, New Civic Works; Glenn Garrison, AIA — Principal, Glenn Garrison Incorporated
Organizer: AIANY Committee on the Environment
Queens Botanical Garden designed by BKSK Architects.
Although sustainable design has made progress in recent years, the sheer scale of the A/E/C industry’s environmental impact proves that there is still a great deal of work to be done. According to Hillary Brown, FAIA, LEED AP, principal of New Civic Works, and Glenn Garrison, AIA, of Glenn Garrison Incorporated, bioclimatic design is the logical next step.
In bioclimatic design, architects develop an understanding of their site’s relationship to its natural and manmade context, then use this information as the starting point for the building’s design, Brown explained. For example, by examining exactly how the sun strikes a site throughout the day and during different seasons, designers can manipulate elements such as building shape and window placement to maximize daylight penetration and minimize the need for artificial heating and cooling.
One successful project, according to Brown, is BKSK Architects’ design for the Queens Botanical Garden, which employed bioclimatic design strategies. The LEED-Platinum building was designed to be flooded with natural light; water management techniques, such as gray water and storm water re-use, unify the building with the landscape; and energy consumption is reduced by using solar panels and a geothermal system.
However, despite the advantages of this holistic, context-based approach, Brown argued that basic bioclimatic principles are too often neglected in current architectural practices. “I’ve been struck in consultations with design teams how many buildings are improperly oriented, or are massed or fenestrated without recognition of different concerns of each of the façades. We really have to reacquaint ourselves with some basic operating principles.”
Police Commissioner Raymond W. Kelly formally presented the NYPD’s cogent book of design guidelines, Engineering Security: Protective Design for High Risk Buildings, at a well-attended conference at One Police Plaza on July 1. Calling the document “a major step forward to prevent an attack or mitigate the impact of an attack,” he delineated the principles of protective design and the specific recommendations necessary for “New York City’s high density environment.” The result of a process of intensive consultations and peer review, Commissioner Kelly said the final document was both informative and practical.
The details of the book’s organization and contents were outlined by Dr. Richard A. Falkenrath, NYPD Deputy Commissioner of Counterterrorism. Falkenrath described the sessions that led to the development of tools to calculate risk, with particular attention to risk mitigation and avoidance through site layout, building orientation, façade design, window placement, material selection, interior partition composition, and the prevention of progressive collapse.
Several members of the AIA New York Chapter Board, including 2009 Chapter President Sherida Paulsen, FAIA, President-elect Tony Schirripa, AIA, IIDA, and Director of Industry Affairs Carl Galioto, FAIA, reviewed advance copies of the preliminary document. The Chapter’s remarks, sent to Falkenrath on June 12, stated that the book puts forth a rational and reasonable approach to understanding the particular challenges of building high-risk buildings and offers potential solutions to address specific conditions. We agreed with the fundamental premise of the book that only a small number of high-risk buildings merit significant security design attention, but that many buildings could benefit from its suggestions. That the document requires little or no expense for low-risk buildings is noteworthy given the current economic downturn and financial crunch.
The strategies presented for medium- and high-risk buildings are consistent with recommendations made on a project-by-project basis by security consultants including Robert Ducibella (Ducibella Venter & Santore), one of the peer review technical experts whose comments educated the development of the book. The accessibility of the document, available online, makes this strategic approach available to many more architects, engineers, builders, and building owners.
The only other post-9/11 publication available that addresses how building security analysis can determine the most appropriate methods of protecting people, buildings, assets, and ongoing operations, is the tome called Building Security: Handbook for Architectural Planning & Design (2004, McGraw-Hill Professional), by Barbara Nadel, FAIA, a collection of 31 essays by architects and engineers, including Galioto. Nadel acknowledges Commissioner Kelly and many others at the NYPD in her introduction.
But the books are very different. Reading the NYPD’s Engineering Security: Protective Design for High Risk Buildings is comparable to entering into a conversation with the counter-terrorism experts at the NYPD, learning what has worked and not worked, hearing what is logical and what is not logical, determining clear and concrete steps for design and construction of buildings made iconic by location, use, and prominence.
The publication announcement at NYPD Headquarters, a 1973 structure designed by Kelly & Gruzen (now Gruzen Samton Architects, Planners & Interior Designers), included a panel discussion by NYC Department of Buildings Commissioner Robert Limandri, Ducibella, Marolyn Davenport of the Real Estate Board of New York, and yours truly representing AIANY. Other speakers included Rep. Peter King and Rep. Yvette Clarke, both members of Congress who serve on the Homeland Security Committee.
AIANY looks forward to assisting the NYPD in making the book’s contents and recommendations available to its members and to others in the design and construction communities.
There is no denying that a woolly mammoth appears to have landed in the P.S. 1 courtyard — especially with “Ice Age 3″ topping box offices. This year’s Young Architects Program celebrates its 10th anniversary with afterparty, designed by New Haven- and Cambridge-based MOS. The installation is comprised of a series of “hut-like chimneys” covered on one side with a layer of “furry” palm-fiber thatching intended to reference Bedouin tents, according to the P.S. 1 press release.
While the structure from the outside appears hot in the midday sun, the chimneys provide passive cooling by siphoning air and creating a light breeze inside. This is the most successful attempt of the YAP projects that I’ve experienced to produce refreshing relief from the summer heat. The thatching also creates a sound barrier, something that is most important during the jam-packed Saturday Warm Up parties that feature DJs and live music.
The best part of the installation, in my opinion, is the small side room in the courtyard that is enclosed by concrete walls with one of the chimneys forming the ceiling. The coolest, shadiest part of the project, the oculus atop the conic shape focuses visitors’ attention to the sky and shadows cast by the sun. Fans of James Turrell will see the connection to Meeting, a “skyspace” on the roof of P.S. 1 where visitors can view the sky through an opening in the installation’s ceiling.
Unfortunately, there is no water feature this year. Perhaps with the torrential downpours we experienced in June there is no need, but for me it is always an exciting aspect of the YAP installations. That, along with the poor quality of the benches (I wonder if the soft construction will survive the summer), are my only criticisms. Overall, I highly recommend taking a trip to P.S. 1, both during Warm Up and the summer’s quieter times.
In this issue:
· Live/Work Townhouse Designed for Artists
· Tommy Hilfiger Global Flagship Parks at Fifth Avenue
· Mediameshing Times Square
· Harvard Divinity School
· Light, Sculpture Featured at Hyatt Regency Montreal
· Steven Holl Architects HEARTs Herning
Live/Work Townhouse Designed for Artists
Residence for two visual artists.
Nicole Migeon Architect
Nicole Migeon Architects has converted a multi-family residential building into a single-family live and work space for two visual artists in the East Village. The 2,000-square-foot, four-story building features flexible spaces and an open staircase that incorporates rows of wide, operable windows giving the space access to air and sunlight. A private painting studio with climate-controlled storage on the first floor, and a film studio on the second floor cater to the users’ crafts. The top floor is a new addition containing the master bedroom and a terrace. Adjacent to a community garden, the firm integrated the building with the landscape by creating a green roof with slate stepping stones. The skylight above the master bed allows for views of the roof’s vine-covered patterned steel trellis as well as of the Empire State Building beyond.
Tommy Hilfiger Global Flagship Parks at Fifth Avenue
Tommy Hilfiger global flagship store.
This September, the Tommy Hilfiger Group will open its global flagship store in the Fifth Avenue shopping district (between East 53rd and 54th Streets). Designed by the company’s creative team in collaboration with Callison Architects, the four-story, 22,000-square-foot store will be the largest Tommy Hilfiger retail store in the world and carry all of the brand’s product lines. The façade will be restored to its original Indiana limestone, while the interior will feature a modern centralized staircase that doubles as a viewing platform for revolving art installations. Each floor will have its own personality. The first floor, offering men’s sportswear, will be reminiscent of a men’s club; Hilfiger Denim will feature a bar-inspired wrap desk with a lounge area; women’s sportswear will be characterized by the company’s trademark 1960s Venini chandeliers and a Brazilian cherry herringbone floor; the runway collection will have glass doors that open onto a balcony overlooking Fifth Avenue.
Mediameshing Times Square
LEDs that comprise Mediamesh.
The Crowne Plaza Hotel Times Square now sports a 30-foot-wide by 36-foot-high Mediamesh® façade, designed by Gensler with Hoffman Architects as the structural engineer. Mediamesh® , designed by Cologne-based ag4/GKD, is a stainless steel mesh fabric with interwoven LEDs and connected media controls. The LEDs render images onto the façade, providing the ability to display a wide spectrum of graphics, animated text, and video. When the screen is off, the glass curtain wall entry is visible, and when illuminated, guests inside the lobby can view Times Square through the back side of the mesh.
Kliment Halsband Plans for Ivy Leagues
Harvard Divinity School Andover Hall.
Kliment Halsband Architects
Harvard Divinity School has selected Kliment Halsband Architects to develop a comprehensive master plan for its campus. The study will provide a long-range framework for current and future facility needs, with the goal of creating a distinct community and campus identity for the school. Also nearing completion are numerous planning studies at Yale University that encompass expansion strategies for several academic departments. The firm has also begun work on an area study within the Jewelry District in Providence, Rhode Island, where Brown University has plans to expand its urban campus and develop a shared vision of the revitalization for the entire area.
Light, Sculpture Featured at Hyatt Regency Montreal
Hyatt Regency Montreal.
Therese Virserius Design
NYC-based hospitality firm Therese Virserius Design recently unveiled its design for the first phase of the renovation of two ballrooms and pre-function areas for the Hyatt Regency Montreal. The pre-function area for the main ballroom will be transformed into an art gallery featuring an interactive wall with “fireflies” that congregate into pre-programmed shapes before dispersing again. Featured on the opposite wall are metallic gold interiors with egg-shaped sculptures and inset niches. The ballroom features sculptured silver disks that resemble water ripples. Instead of traditional chandeliers, designers employed clusters of peanut-shaped, indigo pendants. Additional elements include black lacquered beams and a wall that can change hues based on the event. This project is the first to include the firm’s new exclusive line of furniture — Therese Virserius Design by AOM. This phase of the renovation is expected to be completed in Fall 2009.
Steven Holl Architects HEARTs Herning
Herning Museum of Contemporary Art.
The HEART Herning Museum of Contemporary Art, designed by Steven Holl Architects, is scheduled to open on September 9. The new center combineds both visual arts and music, uniting three distinct cultural institutions — the Herning Center of the Arts, the MidWest Ensemble, and the Socle du Monde. A fusion of landscape and architecture, grass mounds and reflecting pools align with curved roof sections in a new building that houses permanent and temporary exhibition galleries, a 150-seat auditorium, music rehearsal rooms, a restaurant, a media library, and administrative offices. Herning’s longstanding relationship with the textile industry, as well as the museum’s large collection of original works by Piero Manzoni, inspired the building’s design concept. The museum is sited near Herning’s original Angli shirt factory, and the shirt collar-shaped plan of the 1960s building influenced the shape of the new museum building. Viewed from above, HEART’s roof geometry resembles a collection of shirt sleeves laid over the gallery spaces. The galleries are orthogonal in plan, while overhead curved roof sections bring natural light into the spaces.
In this issue:
· AIANY Policy Round up
· NBAU Report
AIANY Policy Round up
It’s been a busy summer for the City Council as it looks for ways to improve the city’s built environment. In initiatives spearheaded by AIANY’s new Director of Policy Marian Imperatore, AIA, the Chapter gave testimony at three council hearings. At the Bicycle Storage hearing on June 15, AIANY and Marian Imperatore spoke in support of a rule that would require commercial and residential building owners to provide bike storage to their residents. On June 26, AIANY Vice President of Public Outreach Margaret Castillo, AIA, LEED AP, spoke in support of the initiatives of the Greener, Greater Buildings Plan, which proposes energy audits for existing buildings, and would hold all of New York’s buildings — not just new construction — to higher energy standards. On June 29, Imperatore weighed in on the debate over Coney Island’s redevelopment. Stay tuned to e-Oculus for more news once the Council votes on all three initiatives.
AIANY President Sherida Paulsen, FAIA, spoke to a lunchtime crowd on June 24 about how architects can make the stimulus package work for them at a Not Business As Usual (NBAU) discussion called “Stimulus Project Opportunities.” She discussed national resources (see AIA National’s resources for small firms), NY State guidelines (visit NY State’s Economic Recovery page), and grassroots efforts ranging from designing street furniture and entering design competitions, to helping local restaurants obtain outdoor and expansion permits.
AIANY Managing Director Cynthia Kracauer, AIA, shared her suggestions for finding work as a small firm. Often, big government jobs have set aside an allocation of work for small firms. A few minutes on the Federal Business Opportunities site can reveal opportunities, even during the economic slowdown.
This was the latest in a series of Wednesday afternoon discussions to help out-of-work architects. On June 3, “Focus on Students/New Graduates” divided the group of emerging architects into focus areas, ranging from portfolio and resumé reviews, to IDP and ARE advice, to information about volunteer opportunities. “Powerful Communication” offered a primer on body language and public speaking on May 20. “Design Awards and Your Practice,” on May 6, focused on the importance that competitions and awards can play in marketing efforts and how awards, whether won by a firm or an individual, speak to the caliber of work that can be expected by a client. Also, with the economic slowdown, competitions allow designers time to think through ideas — an opportunity not always available when trying to meet tight deadlines.
The next NBAU event will take place July 8 and feature a panel on alternative careers. Click here to rsvp.
What do you think of the new AIANY Chapter's website?
A vacant lot transformed for mini-golf.
Courtesy THE PUTTING LOT
THE PUTTING LOT is a nine-hole miniature golf course designed by artists and architects around themes of urban sustainability. Located in a previously vacant lot in Bushwick, Brooklyn, the lot includes the course, a snack-shack serving local products, a public seating area, an event space, and a place for displaying print material.
After an open call for submissions, THE PUTTING LOT selected nine designs. Artists constructed their designs using a small material stipend. The use of reclaimed materials was encouraged; artists have incorporated materials including wooden shipping pallets from a local factory, trash-bound sails for awnings, and reclaimed wood from Build it Green for furniture.
The Lot is open through 09.06.09; admission is $5 for adults and $3 for children. For more info, click the link.
The 2009 SARA Design Awards winners include, in the following categories: Medallion of Honor, Friends of the High Line; Visionary Architecture Award, The Cooper Union Academic Building (Morphosis); and Project of the Year, One Bryant Park (Cook + Fox and Gensler). Awards of Excellence were given in the following categories: Housing — 40 Bond Street (Herzog & de Meuron, Design Architect & Handel Architects, Architect-of-Record); Commercial — The Standard, New York (Polshek Partnership Architects); Interior Design — St. Hilda’s & St. Hugh’s School Science Department Renovation and Addition (Murphy, Burnham & Buttrick), and Enterprise Community Partners (Stephen Yablon Architect); Educational — Syracuse University S.I. Newhouse III School of Public Communications (Polshek Partnership Architects); Rehabilitation/Remodeling — Apartment & Garden (A+I Architecture) and Yale University Art Gallery Kahn Building Renovation (Polshek Partnership Architects); The Arts — Birdhaus (The Office of Carol JW Kurth, AIA Architect); Student — Brooklyn Waterfront Museum by Yeinny Daza…
SARA Awards of Honor were given in the following categories: Housing — The Satori (Scarano Architects); Educational/Institutional — Weill/Cornell Medical College Weill Greenberg Center (Polshek Partnership Architects); Interior Design — Toku (Bentel & Bentel Architects), North Sea Pool House and Central Park West Residence (Shelton, Mindel & Associates) and NY Mets Exec/Admin Offices (Mancini Duffy); Rehabilitation/Remodeling – Spector Group LI Offices (Spector Group) and Artist’s Studio (Vaidya Stoltz Architects)…
The NYC Public Design Commission (formerly the NYC Art Commission) announced the winners of its Annual Awards for Excellence in Design including: Bronx River Greenway by the New York State Department of Transportation and WSP Sells; EMS Station 3 by Smith-Miller + Hawkinson Architects; Croton Water Treatment Plant by Grimshaw; Brooklyn Botanical Garden Visitor Center by Weiss/Manfredi; Bushwick Inlet Park District Headquarters and Community Facility by Kiss + Cathcart; Inside Out by Richard Artschwager with 1100: Architect; The Opposite of a Duck by Janet Zweig with Marble Fairbanks Architects; Shapes by Allan McCollum with Marpillero Pollak Architects; Mariners Harbor Branch of the New York Public Library by Atelier Pagnamenta Torriani; and a Special Recognition Award for the Staten Island Court Complex by Polshek Partnership Architects…
The recipients of the Rockefeller Foundation 2009 Jane Jacobs Medal are Richard Kahan, founder and CEO of the Urban Assembly, and Damaris Reyes, executive director of Good Old Lower East Side (GOLES)… Ted Moudis, AIA, was honored with the Architecture & Design Award at The Mann Foundation’s Fourth Annual Mann of the Year Awards…
The New York Area Chapter of the Society for Marketing Professional Services (SMPS-NY) has elected Patricia Neumann, CPSM, president; Michelle Galindez-Russo, LEED AP, vice president/president-elect; Michael McCann, CPSM, treasurer; Julie Pampuch, secretary…
Caroline Baumann has been named acting director of the Smithsonian’s Cooper-Hewitt, National Design Museum… Jerome Chou is the new Director of Programs at The Design Trust for Public Space…
06.25.09: A Space Within: The National September 11 Memorial & Museum
exhibition opening at the Center for Architecture. Six hundred visitors attended the exhibition’s first night. The show was curated by Thomas Mellins and designed by Incorporated Architecture & Design.
Michael Arad, AIA, (right) partner at Handel Architects and the designer of the memorial, spoke with John Whitehead, founding chairman of the Lower Manhattan Development Corporation.
AIANY President Sherida Paulsen, FAIA, with Curator Thomas Mellins.
and The Architect’s Newspaper
sponsored a Saturday afternoon “salon” to celebrate John M. Johansen’s, FAIA, 93rd birthday at the architect’s most unusual 1975 summer house — a multi-level, translucent fiberglass pyramid in Dutchess County.
The Association of Real Estate Women (AREW), Twenty9th Park Madison condominium, and fashion designer Jes Wade hosted a Fashion Charity Event that included penthouse and rooftop tours, a silent auction, and a showing of Wade’s newest couture line inspired by draping fabric. All proceeds went to the AREW Charitable Fund to benefit Women In Need (WIN). WIN provides housing, help, and hope to NYC women and their families who are homeless and disadvantaged.
(L-R):Rebecca Mason (AREW President), Andres Hogg (Espais), Jes Wade, Madelyne Kerch (Sun & Moon Marketing & AREW charitable fund co-chair), Stephanie Butler (Horizon Land Services & AREW charitable fund co-chair).
Courtesy of AREW
(L-R): Lucy Carter, Assoc. AIA (Ted Moudis Associates), Debra Cole (Perkins + Will), Guest, Jennifer Carey (JLC Environmental Consultants), Rebecca Mason (AREW President), and Guest.
Courtesy of AREW
The Frank Lloyd Wright Foundation benefit dinner was held at the Guggenheim Museum, raising more than $500,000 for the Foundation’s School of Architecture, Archives, and K-12 educational programs.
Howard Weiner (left) and Paul Goldberger.
Courtesy Great Ink Communications
Deutsche Bank erected a seven-story Carbon Clock outside Madison Square Garden that calculates the tons of carbon dioxide being emitted into the atmosphere.
2009 Oculus Editorial Calendar
If you are an architect by training or see yourself as an astute observer of New York’s architectural and planning scene, note that OCULUS editors want to hear from you! Projects/topics may be anywhere, but architects must be New York-based. The themes:
Winter Issue: Health & Architecture
Architecture designed to promote fitness, health, and wellness will be profiled. Projects selected from within this growing field will demonstrate sensitivity to generational and demographic issues, sustainability, and technology.
08.01.09: Suggestion Deadline
If you have suggestions, please contact OCULUS editor-in-chief Kristen Richards.
07.15.09 Call for Entries: IDP Outstanding Firm Awards
07.27.09 Call for Entries: AIA Design for Aging Review
08.31.09 Call for Entries: Newark Visitors Center Design Competition
11.13.09 Request for Proposals: 2010 Sustainable Design Assessment Team Program (.pdf)
Center for Architecture Gallery Hours
Monday-Friday: 9:00am-8:00pm, Saturday: 11:00am-5:00pm, Sunday: CLOSED
A Space Within: The National September 11 Memorial & Museum
June 25 – September 14, 2009
On September 11th, 2001, what had been one of the world’s most densely developed business districts became, for many, hallowed ground. Soon after, questions emerged. What comes next? How could one site serve the needs of victims’ families, survivors of the attacks, members of the surrounding communities, business interests, and visitors?
The answer required a clear separation of the sacred and the secular; a defined, eight-acre space, serving as a tribute, would be created within the larger development. A Space Within is a public showcase of the memorial and museum that are now taking shape at the heart of the World Trade Center site.
Memorial design by Michael Arad and Peter Walker
Museum design by Davis Brody Bond Aedas
Museum pavilion design by Snøhetta
Exhibition curator: Thomas Mellins
Exhibition design: Incorporated Architecture & Design
Exhibition and related programs are organized by the AIA New York Chapter in partnership with the Center for Architecture Foundation and the National September 11 Memorial & Museum.
This exhibition is made possible through the generous support of the following sponsors:
National September 11 Memorial & Museum
Leading Sponsor: Digital Plus
Skidmore, Owings & Merrill
Supporter: Adamson Associates
Fisher Marantz Stone
Guy Nordenson and Associates Structural Engineers
Horizon Engineering Associates
Mueser Rutledge Consulting Engineers
Simpson Gumpertz & Heger
Wiss, Janney, Elstner Associates
WSP Cantor Seinuk
New Practices San Francisco
June 04 – September 19, 2009
New Practices San Francisco is the 2009, West Coast premiere of AIA New York’s annual portfolio competition and exhibition. New Practices San Francisco is a platform for recognizing and promoting new and emerging architecture firms within San Francisco that have undertaken innovative strategies — both in projects and practice. The New Practices program was launched in 2005 by AIA New York to showcase promising new architectural firms.
New Practices San Francisco will be on view at the Center for Architecture from June 4, 2009 through September 19, 2009. It will then be on view at the Center for Architecture & Design, San Francisco, from November 12, 2009 through January 29, 2010. The exhibition will be accompanied by a series of programs organized by the AIA New York Chapter in collaboration with the New Practices Committee and AIA San Francisco.
Congratulations to our 2009 New Practices San Francisco Winners:
* CMG Landscape Architecture
* Edmonds + Lee Architects
* Faulders Studio
* Kennerly Architecture & Planning
* Public Architecture
Matter Practice, 2008 New Practices New York winning firm.
AIA New York/ Center for Architecture, AIA San Francisco/ Center for Architecture + Design, and the New Practices Committee
This exhibition is made possible through the generous support of the following sponsors:
Presenting Sponsor: Hafele
Sponsor: MG & Company
Friends: diamondLife, Specialty Finishes, Trespa and Yarde Metals – Hauppauge, NY, and Hotel Carlton San Francisco
Media Partner: The Architect’s Newspaper
The Global Polis: Interactive Infrastructures
May 15 – August 29, 2009
What is infrastructure? For much of the twentieth century, the answer to this question was guided by the ideology of functionalist urbanism, a school of thought that said that all healthy cities served four major needs – work, housing, recreation, and transportation. Today, we no longer take this view for granted, for it is a perspective that makes no provisions for community, identity, or history. At the same time, we still lack an alternative model for visualizing the city that can deal adequately with the public health and quality-of-life issues that the early functionalists sought to address. Our capacity to balance urban development with the demands of ecological imperatives and social needs has only worsened in recent decades, and this exhibition asks whether the trend can be reversed.
Global Polis: Interactive Infrastructures documents a series of contemporary experiments in planning, architecture, and design that treat cities and their environments in holistic terms, as a complex social, political, and ecological matrix – not just as an assembly of buildings, roadways, bridges, pipes, and tunnels (although each of these is important). Infrastructure cannot be divorced from the structure of democracy, from the environment at large, and the contributions to this exhibition highlight the important role that community, communication, participation, and the sharing of knowledge can play in informing understanding of the urban fabric.
This spring and summer, a series of workshops and public programs will be held to generate discussion and debate about civic participation, urbanism, and design. Drawings and diagrams produced in the workshops will be incorporated into the exhibition as an evolving presentation of ideas.
Exhibition and related programs organized by AIA New York in partnership with Architecture for Humanity New York (AFHny) , The Austrian Cultural Forum, and the American Institute for Graphic Arts New York (AIGA NY).
Curator: Nader Vossoughian
Exhibition Design: Project Projects
Consulate General of The Netherlands
Times Square Alliance
Aesthetics of Crossing: Land Ports of Entry / Citizenship by Design
Courtesy Van Alen Institute
Two projects that examine border crossing points and the individuals who pass through them are on view. Land Ports of Entry by Smith-Miller + Hawkinson Architects highlights the architecture of surveillance and openness in two recently built U.S. border stations. Citizenship by Design by Kadambari Baxi and Irene Cheng re-imagines the design of passports, international regulations, and other artifacts.
Van Alen Institute
30 West 22nd Street, 6th Floor, NYC
Jiri Makovec: Tales from the Island
“1 Madison Park” is taken from the penthouse under construction.
Jiri Makovec, courtesy Fragmental Museum
Makovec continues his personal exploration of his urban experience of NYC in his fifth installation at the Chelsea Market. Within the city’s grid, moments of mystery and terror are captured as a series of encounters and events.
Chelsea Market c/o Fragmental Museum
75 9th Avenue, NYC
2009 MoMA/P.S.1 Young Architects Program: MOS afterparty
Model of afterparty, the winning project of the 2009 MoMA/P.S.1 Young Architects Program by MOS. The designers are Michael Meredith and Hilary Sample.
For the 10th anniversary of the YAP program, and with a budget of $70,000, MOS’s winning landscape serves as an immersive environment for the 2009 Warm Up summer music series. A series of tall hut-like “chimneys” with dark thatched skins form an “urban shelter,” providing a cooling escape from the summer heat, similar to a Bedouin tent.
22-25 Jackson Ave. in Long Island City, NYC
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ARCHITECT LEVEL 2
MTA NYC TRANSIT
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