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Editor-in-Chief, Jessica Sheridan, Assoc. AIA, LEED AP | |||||||||||||||||||
CONTENTS
EDITOR'S SOAPBOX: Design Scrapes Bottom of Barrel IN THE NEWS
AROUND THE AIA + THE CENTER NEW DEADLINES
At the CFA About Town eCALENDAR
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02.06.07Editor's Note: There are some changes happening around e-OCULUS. I'd like to welcome Murrye Bernard, Assoc. AIA, e-O's new contributing editor. Also, I bid farewell to Carolyn Sponza, AIA, who has acted as a contributing editor for the last year. She is moving on to serve on the AIANY Board of Directors as the Vice President of Professional Development. Thank you, Carolyn, for all of your hard work! REPORTS FROM THE FIELDRaising Moses ![]() Cross Bronx Expressway, The Bronx, 2006 Photograph © Andrew Moore, courtesy Museum of the City of New York
Event: Lessons of Robert Moses It's revival time for Robert Moses, that combination of Baron Haussmann and Napoleon Bonaparte who ruled the construction world of New York City from the 1920s through 1968. Reacting to the city's love affair with Jane Jacobs, a number of planners, architects, and plain citizens are beginning to see limitations to Jacobs' somewhat elitist focus on walking neighborhoods and impassioned opposition to sweeping plans, in favor of a modified but more aggressive, large-scale planning mode that in the past managed to alienate a lot of folks. That's the theme that Daniel Doctoroff, Deputy Mayor for Economic Development and Rebuilding, played in his remarks to a huge gathering in the main hall of The New York Academy of Medicine. Pointing out the challenges raised by Moses, who reportedly said, "I defy any chef to make an omelet without breaking eggs." Doctoroff highlighted a more user-friendly policy aimed at making the omelet without breaking eggs. The single most prolific builder in NYC's history, Moses, according to Doctoroff, was successful because he had a master plan, a vision of the future, the authority and money to make his ideas happen, and a total disregard for public opinion. Urban growth has slowed in the last 40 years because we have been waiting for the next man-with-a-master-plan to come in on his white horse and save us all from devastation, stated Robert Yaro, President of the Regional Plan Association. Perhaps that man is Mayor Bloomberg with his plaNYC — an urban renewal proposal to create a sustainable city by 2030. ![]() Structural damage in percentage categories as designated by post-storm FEMA damage assessments. Courtesy unifiedneworleansplan.com ![]() Locations of all demolition, renovation, and new construction permits approved by New Orleans. Courtesy unifiedneworleansplan.com
New Orleans Eight Plans Later
Event: New Orleans Now Three days before New Orleanians endorsed the basic tenants of the Unified New Orleans Plan (UNOP), many of the players gathered at the Center for Architecture to discuss the city's rebuilding efforts: the often-times contentious history and processes, and what lies ahead. "My mission here is to convince you and myself that the rebuilding effort is not a train wreck," is how Jed Horne of the Times-Picayine introduced himself. He said the "intensely political city and process" has included some "clumsy, convoluted, and top-downish efforts," to others that were more "deferential to the local population and provided guidance in a grassroots upwelling." In reference to the then upcoming citizens' congress regarding the UNOP, he commented, "It is sure to enrage some, but at the end of the day, it will be a triumph of consensus — it's the best we can do." EDAW's CEO Joseph E. Brown, FASLA, who served on the Urban Land Institute's (ULI) special panel to develop recommendations for New Orleans, pointed out that Hurricane Katrina was not one disaster, but rather a sequence of natural, engineering, and leadership disasters exacerbated by existing social, economic, and racial crises. And the "catalogue of challenges...doesn't have a happy ending yet — the social abandonment is still overwhelming." The initial ULI strategy that established sequential investment areas was, according to Brown, basically misunderstood. In hindsight, he said, the technical issues "didn't resonate. We needed a micro-local public support program and an advocacy language that made things clear. We needed to tell them what would happen if there were no plan, and we didn't do that." Project New Orleans, presented by Carol Reese, Anthony Fontenot, and Michael Sorkin, is the result of planning and design studios at local and national universities — many in association with local and community organizations and neighborhoods. The exhibition and online project intends to be the definitive archive of the thousands of proposals generated to redevelop New Orleans and the Gulf Coast. Sorkin exhorted every professional, student, and civilian who created a plan on any scale to submit it to the archive. SOM Urges Solving Sustainable Design at All Scales
The Infinity Tower is designed to make a simple statement and effectively resist wind loads. Courtesy Skidmore, Owings & Merrill
Event: Environmental Contextualism: Strategies for a Dynamic Sustainable After setting a green tone by displaying the CO2 offset certificate he purchased for his flight from Chicago, Ross Wimer, AIA, design partner at Skidmore, Owings & Merrill (SOM), described a series of efforts to rethink fundamental design archetypes at all scales (the streetlight, the museum, and the airport) before moving on to skyscrapers. Wimer's proposed solutions — a sleek stalk integrating the skylight's lighting and signage functions with photovoltaics to take it off the power grid; a cylindrical science museum for the desert environment of Doha, United Arab Emirates, with a glass skirt directing air upward to a rooftop turbine; louvered, metered, operable skylights for the Singapore airport, entirely obviating artificial lighting during the day — reflect an attention to place-specificity that one might not have expected from the firm that once seeded the landscape with International Style corporate boxes. From Dubai's Infinity Tower to Chicago's projected lakefront Olympic Village for the 2016 Games, among others, SOM's projects are comparable in terms of simple forms and straightforward solutions. Outlining the Freedom Tower's evolution (deftly sidestepping Ground Zero politics), Wimer explained how the sharp ship's-bow corner will cut prevailing northwestern winds. A Yokohama residential high-rise's undulating balconies contribute to structural efficiency through the aerodynamic phenomenon of "vortex shedding," which reduces air friction increasing the tower's wind stability. In an office/hotel tower in Zhengzhou, China, a large industrial city where the epidemic of Severe Acute Respiratory Syndrome (SARS) exacerbates air-quality problems, an atrium with an operable heliotropic roof aids circulation. Finding contextualism in a few of these projects is a stretch. The Tyrol Tower in Wörgl, Austria, sits inside a traffic circle on the Autobahn, where outlet stores compete with the scenery; the "vertical village" concept (two hotels, a casino, retail, and residences) and the ovoid shape (based on wind analyses) are logical, and the tower's carbon-neutrality is a positive factor, but it is not surprising that there is local controversy over the construction — even the cleanest and greenest of landmark skyscrapers would look jarring against the Austrian Alps. Still, it is encouraging to see the world's largest firm offering ambitious responses to ecological challenges of demanding sites. Bill Millard is a freelance writer and editor whose work has appeared in Oculus, Icon, Content, and other publications.
Today's Dilemma: Balancing Building Security and Openness
The design of 7WTC incorporates many levels of security. Jessica Sheridan, Assoc. AIA, LEED AP
Event: The Quest for Perfect Security: New York New Visions Public Forum Creating a balance between security and openness while maintaining design excellence has become a serious concern for professionals responsible for protecting urban infrastructure and buildings. In response to increased threats, both civic and private buildings post-9/11 have been reinforced with bunker-like barriers in an attempt to bolster security. Designs that use physical barriers may create the perception of security; however, this comes with a psychological cost that limits social interaction and perpetuates fear. In an effort to provide advanced safety technology, design professionals are coordinating rings of defense in buildings. An integration of design, technology, and operations is required for a comprehensive approach to building security. 7WTC, designed by Skidmore, Owings & Merrill, uses multiple levels of security starting from the outside protecting the site perimeter, and working in to the building envelope, core, and finally emergency access. Measures used include retractable and fixed bollards and utilizing adjacent buildings for barrier protection. A secure lobby ensures a measure of safety within the building as well. When cities undertake security strategies at a regional level, a layer of protection is relieved from urban planners allowing for more flexible urban design. For example, government spending on immigration controls and airport screenings can mitigate security requirements of an airport building. With so many different local, state, and federal agencies working to protect New Yorkers, any shortage of cooperation and coordination among agencies could be detrimental. The Port Authority of New York and New Jersey works extensively with local jurisdictions to ensure safety for its neighbors, and vice versa to make certain its neighbors are not liabilities to the Port Authority. Such cooperation allows greater security and the opportunity for better design. Aaron Slodounik, LEED AP, is a freelance art and architecture writer.
Architect Duel: Inspiration Made of Green Cheese ![]() Field Operations explains the sustainable systems behind their green roofs on their cheese model. photo by Susan Surface, courtesy of Archinect ![]() Balmori Associates craft their Stuy Town out of plastic cheese containers as well as cheese. photo by Susan Surface, courtesy of Archinect
Event: Master-Disaster Architect Duel III For this year's Master-Disaster Architect Duel III, contestants received a brief more functional than visual: projecting a food-challenged future. Not unlike the post-oil-peak scenario of James Howard Kunstler's Long Emergency, the assignment asked for a network of green roofs atop Stuyvesant Town, with cash-crop capabilities and bridges between rooftops. The kicker: for basic materials, in place of the concrete substitute Reduraflex 768 (not yet on the market), each team received 25 pounds of cheese. Since when did architecture become a spectator sport? Since two years ago, actually. The LVHRD social organization (pronounced "live hard"), which uses secretive flash-mob-style communications to organize creatively themed events, has extended the concept of the architectural competition to an extreme. In the "Master-Disaster" format, two-person teams from design firms receive a surprise program, a set of materials to build models, and compete under a time limit. The audience votes by cell phone to pick a winner. It's both a hot, loud, boozy party and a small, aggressively whimsical charrette. The horizontal orientation of the projects and the constraints of building atop Stuy Town's recognizable forms, oddly enough, placed the emphasis more on function than spectacle. This assignment called for low-key competence in organizing systems. Field Operations won the poll with a well-thought-out plan managing water, shade, and hydroponic crops, plus a complex of folded parasols giving one of the buildings a Gehry-ish profile; in a variation on the sustainability theme, they also recycled patches of fabric from their own kimonos into their model. Balmori Associate's team made creative use of the plastic packaging as well as the cheese — a retractable roof design usable year-round, evoking the inflatable buildings of Archigram. Maura Rockcastle of Field Operations has been working on the High Line project for two years; she contrasted the unique restrictions of that site with the lightheartedness of the Duel, citing "the fact that it's green space introduced into an existing urban fabric" as the only real similarity. Rumors that the High Line's pedestrian ramp will be constructed of laminated strips of fly ash concrete and Gouda could not be confirmed at press time. Bill Millard is a freelance writer and editor whose work has appeared in Oculus, Icon, Content, and other publications.
Architecture's Future: Brandism
(l-r): Gensler Vice President Patric O'Malley, AIA; Daniel Goldner, AIA, Goldner Architects; Sharon Zukin, Broeklundia Professor of Sociology, Brooklyn College; Gregory Beck, AIA, Principal, Architecture + Experience Design; and moderator Peter Slatin, Editor, The Slatin Report. Kristen Richards
Event: Brandism Series: Event as a Brand Brandism. No, that's not a typo. It's a new term trademarked by Anna Klingmann, Assoc. AIA, and principal of KL!NGMANN, a creatively driven agency for architecture and brand building. For the first in a series of six, she assembled a panel of practitioners and an academic, with a real estate expert as moderator, to discuss the global trend of branding cities, commercial and residential architecture, and architects themselves. There seemed to be no right or wrong answers, just a free flow of ideas and opinions. For example, take the Seagram Building. Did it brand Mies van der Rohe, Seagrams, or liquor? Does the new New York Times building reflect the values of the paper? How does brand affect Donald Trump's empire, or the Richard Meier signature design style? Some architects welcome marketers into the design team. Daniel Goldner, AIA, thinks the good marketers have their fingers on the pulse and now that the market is tightening, developers are relying more on their expertise. Patric O'Malley, AIA, vice president of Gensler, remarked that architecture is becoming formulaic and unoriginal, pointing out that restaurants like Pastis are designed to look like a well-preserved French bistro. It might take years to build a brand, but once it's done, it's a design shortcut. Is standardization and architectural repetitiveness in our future? Andy Warhol made it popular in the 1960s and he had his 15 minutes of fame... EDITOR'S SOAPBOX: Design Scrapes Bottom of BarrelAs a big fan of Bravo TV's "Project Runway," I had high hopes for "Top Design." What I like about "Project Runway" is that it lets the viewer peer into a creative process. Tim Gunn, now ex-professor at Parsons The New School for Design, acts as mentor offering constructive criticism to the designers as they first sketch their ideas and then produce garments for specific clients or special events. The judges debate the definition of cutting-edge fashion to determine a winner and loser. The show is so successful it has become the hot-ticket item at Olympus Fashion Week each year. I should not have expected the same window-into-the-design-process that "Project Runway" offers; it turns out I should have expected superficial designs, designers that fit every cliché, a detached host, and unhelpful critics. I doubt "Top Design" will have the same impact on the interior design world that "Project Runway" has cultivated. "Top Design" fell short from the start. The challenge was to create a sanctuary for a mystery client (reality TV's transgender star Alexis Arquette) based on five random items she owns. Designers were given $50,000 spending money to buy stuff in the Los Angeles Pacific Design Center and transform a small, blank showroom. The top two designs were the only ones to go beyond decoration: in one room designers cut a niche in the wall, and in another, designers created a sandbox in the floor. Because they intervened with the architecture, they were praised. I was hoping the bar would be set a little higher than that. The episode did not showcase the design process at all. We saw one perspective sketch, and even though designers were paired off, very little of the discussions were filmed. Todd Oldam, whose expertise in the interior design field is questionable as his highest accomplishment includes dormitory furniture for Target, arrived to work with designers after most of the walls had been painted and designs had been fully developed. His comments included insights such as, "Wow. Everyone seems to really like the color green!" The judges were no better. Interior designer Jonathan Adler criticized one group for going under budget and only spending $40,000. ELLE DÉCOR magazine Editor-in-Chief Margaret Russell commented on whether or not she would publish the designs, but never explained what she looks for, or why they fell short. Adler explains on his "Top Design" online blog that interior design is "10% design, 20% psychologist, 20% MacGyver, and the final 50% is...maid." If that is what is expected of a designer creating cutting-edge design, why did I go to architecture school? Maybe the show will improve throughout the season, but with comments like that I doubt it. IN THE NEWSOEM HQ Takes Silver
New Senior Housing Respects Inhabitants' Ways of Life Construction Starts on Affordable Housing in Bronx Bloomie's Gets a Make-Over Busy Week for New York City Landmarks On the same day, the commission gave landmark status to a former Horn & Hardart Automat Cafeteria on the Upper West Side designed by Frederick Putnam Platt & Brother. Since it closed in 1953, the building has been used as a coffee shop, supermarket, pizzeria, and is currently a drug store. The commission's recommendations wait the approval of city planners and the New York City Council. Finally, in a reversal of fortune for developers, the City Council supported the LPC voting unanimously to reverse a decision by the now defunct Board of Estimate of the City of New York to revoke the landmark status of two six-story buildings on the Upper East Side that were part of a Progressive Era model tenement complex. AROUND THE AIA + THE CENTER FOR ARCHITECTUREInside Infrastructure: OCULUS Winter Issue Preview Keep an eye on your mailboxes for the winter issue of OCULUS, scheduled to mail February 7. It digs deep into the city's infrastructure as a driver of urban development — and how architects are playing an important role in planning, designing — and greening — the city's bones. Highlights include new transportation strategies and initiatives, imaginative adaptive reuse of obsolete infrastructure, stylish new ways to handle waste, and how design can overcome NIMBYism. OCULUS is sent free to all members of AIA New York and AIA New York State, and subscriptions are available for $40 ($60 for international subscribers). Click here for the online form. Box-a-thon Gives to Design Students AIA Takes Position on Eminent Domain
Upon conclusion of the public comment period, staff will develop a discussion draft of all submitted comments for the Board. At the March 2007 Board meeting, the comments and position statement will be offered for first reading, formal discussion, and consideration. As outlined in section 9.335 of the Rules of the Board, "Position Statements are adopted after majority approval at first reading, and take effect immediately." Post your comments here. COMIC RELIEF
THE MEASURESubmit your response for the latest poll: Results from last issue's poll: OF INTERESTPhilip Johnson's Glass House in New Canaan, CT, a National Trust for Historic Preservation site, is hiring. Applicants should respond with a cover letter, resume, and salary requirements to Wendy Cunney. Two positions are available: Glass House Guide: Visitor Center Manager: NAMES IN THE NEWSThe Chicago Architectural Club awarded its 2007 Chicago Prize to New York designers Richard Alomar, ASLA, Kenji Suzuki, AIA, and Yonghyun Yu of di Domenico + Partners... Carmi Bee, FAIA, principal of RKT&B and Professor of Architecture at CCNY, received the John Hejduk Award from the Cooper Union Alumni Association... AIA Westchester/Mid-Hudson Chapter 2006 Design Award recipients include several AIANY member firms: Perkins Eastman, First Honor Award and Citation Award; Frederic Schwartz Architects, Honor Award; Wank Adams Slavin & Associates, Honor Award; and Peter Gisolfi Associates, two Citation Awards... The Architectural League of New York announced the speakers for its Emerging Voices 2007 lecture series including J. Meejin Yoon and Eric Höweler, AIA, of NYC- and Boston-based Höweler + Yoon Architecture/MY Studio, and Jared Della Valle and Andrew Bernheimer, AIA, of Brooklyn-based Della Valle Bernheimer... Amanda Burden, Hon. AIANY, Chair of the City Planning Commission for the NYC Department of City Planning, named Alexandros Washburn, AIA, as Chief Urban Designer for the Department. Thomas Wargo was appointed as the Department's Director of Zoning... Swanke Hayden Connell Architects has named Roger Klein, AIA, a principal of the firm overseeing the firm's U.S. Workplace Strategy consulting... Frances Gretes, former Director of New Business at Rafael Viñoly Architects, recently resigned to focus on her own research consulting firm, Gretes Research Services, which provides information, new business, and strategic marketing services to global architectural firms... SIGHTED
![]() Edward Larrabee Barnes alumni (l-r): Martin E. Rich, AIA, Tino Zago, Dolores Zago, Thomas Czarnowski, AIA, FAAR Kristen Richards ![]() Carmi Bee, FAIA, with Robert L. Geddes, FAIA Kristen Richards ![]() Brown with the Very Reverend Dean James Parks Morton of the Cathedral of St. John the Divine Kristen Richards ![]() 01.24.07: AFHny directors (l-r): Cynthia Barton, Andrew Burdick, and Chel O'Reilly at the opening of "Architecture for Humanity New York's NetWorks," on view at the Municipal Art Society through March 7. Kristen Richards ![]() 01.31.07: Washington Square Park lit up like a Christmas tree for filming of Will Smith's new thriller "I Am Legend" — the same flick that had the Brooklyn Bridge "under siege" a few days earlier). Kristen Richards SITEDThe Journal News: Lower Hudson Online published an interview with Russell A. Davidson, AIA, 2007 president of AIA New York State, on Saturday 02.03.07. To read about issues at the forefront of his agenda, including liability reform, smart growth, and public bidding reform click on "Building a Legacy," by Jay Loomis. NEW DEADLINESOculus 2007 Editorial Calendar 2007 AIA New York Chapter Design Awards 02.08.07 Submission:
Concrete Thinking for a Sustainable World 02.16.07 Submission:
Building Brooklyn Awards
02.20.07 Submission:
Sustainable Design Awards
02.22.07 URGENT! Recommendations:
2008 AIANY Board & Elective Committee
02.28.07 Submission:
International Ideas Competition for Carlsberg Site
02.28.07 Submission:
Michael Kahlil Endowment for Smart Design
02.28.07 Submission:
Envisioning Gateway: A Public Design Competition
03.12.07 Submission:
George A. Fox Public Service Award
03.12.07 Submission:
National Endowment for the Arts Design Grants
03.15.07 Deadline:
BWAF Fellowships & Grants
03.15.07 Deadline:
BWAF Library of Congress Fellowship
ON VIEWAt the Center for Architecture, 536 LaGuardia Place:Gallery Hours
About Town: Exhibition Announcements
Photo by Carson Zullinger, courtesy Lucas Schoormans Gallery Through 02.24.07 Lucas Schoormans Gallery, 508 W 26th St, 11B
Courtesy New York Public Library Through 09.15.07 The New York Public Library's Science, Industry, and Business Library; 188 Madison (@ 34th Street) eCALENDAR CLASSIFIEDSADVERTISE IN THE
eOCULUS CLASSIFIEDS! Would you like to get your message featured in eOCULUS? Spotlight your firm, product, or event as a marquee sponsor of eOCULUS, the electronic newsletter of the AIA New York Chapter. Sponsors receive a banner ad prominently placed above the table of contents. Your message will reach over 5,000 architects and decision-makers in the building industry via e-mail every two weeks (and countless others who access the newsletter directly from the AIA New York web site). For more information about sponsorship, contact: listadmin@aiany.org or 212.358.6114. Looking for help? See resumes posed on the AIA New York Chapter website.
Technology Coordinator at the Center for Architecture/AIA New York Chapter
Requirements Able to hand code valid XHTML and CSS. Must be conversant in PHP, able to decipher legacy PHP web applications, and, ideally, familiar with AppleScript and JavaScript. Must have experience gathering requirements, designing and implementing MySQL and FileMaker databases; transferring data between them a large plus. In addition, the applicant must have website admin knowledge such as FTP, domain administration, and setting up e-mail accounts. Familiarity with print and web graphic file formats and programs, e.g., Photoshop, Illustrator, InDesign, or open source equivalents is required. Experience with prepress specifications, online print production, and mailing houses a plus. Experience with video formats including DVD chapter extraction, conversion of video formats, stripping region encoding from DVDs and DVD players is also necessary. Please submit cover letter, resume, URLs, 3 references and salary requirements to: gbyers@aiany.org HNTB Architecture ( www.hntbarchitecture.com), a national firm with specialty in public projects, is seeking to fill the following positions in its growing NYC office: Senior Project Architect — Responsible for technical solutions, coordinating disciplines and management. Required: Architecture degree,10+ years experience, R.A., Autocad, strength in detailing and specifications, ability to supervise a team, project management and proposal experience. Intermediate Architect (Architect III) — Candidate should be highly motivated and detail oriented with ability to work well on teams. Candidate must have a degree in Architecture, office experience, AutoCad and 3D modeling skills. Rev It a plus. Send resume to HNTB Architecture, Attn: Evan Supcoff, 5 Penn Plaza, 6th Floor, New York, NY 10001 or fax to 212-947-4030. To apply on line: www.hntbcareers.com
ARCHITECTURE FT/PermPosition
Street-Works is located in White Plains, NY adjacent to the N. White Plains train station.
Excellent growth opportunities, competitive salary and benefits.
Architect
Senior Architect: SOM is seeking senior level architects for involvement in both large and small scale projects. Applicants should have experience in a full range of project responsibilities. App licants should also have interest in the application of building science in the design process including investigating and developing materials, innovative building systems solutions, systems integration/interoperability and sustainable design initiatives. Applicants must hold a 5 year professional degree or Master's degree in Architecture and have minimum of 5 years of professional experience. Knowledge in AutoCAD, 3d Studio Max and/or Rhino required. LEED accreditation and knowledge in BIM platforms, such as Revit, and analytical software and simulation tools, such as Ecotect and Simulex, are considered a plus. Please send a cover Letter, Resume, and 1-2 work samples (8½' x 11" .pdf or hardcopy format) to:
Human Resources
Or you may email all files to
hrtechnical@som.com (.pdf or .jpg only please)
Intermediate Architect: SOM is seeking intermediate level architects for involvement in both large and small scale projects. Applicants should have interest in a full range of project responsibilities including the investigation of innovative building systems, materials research and sustainable initiatives in the design process. Applicants must hold a 5 year professional degree or Master's degree in Architecture and have 3 to 8 years of professional experience. Knowledge in AutoCAD, 3d Studio Max and/or Rhino required. LEED accreditation and knowledge in BIM platforms, such as Revit, and analytical software and simulation tools, such as Ecotect and Simulex, are considered a plus. Please send a cover Letter, Resume, and 1-2 work samples (8½' x 11" .pdf or hardcopy format) to:
Human Resources
Or you may email all files to
hrtechnical@som.com (.pdf or .jpg only please)
Intermediate Architect: Skidmore, Owings & Merrill LLP New York is seeking intermediate level architects for involvement in both large and small scale projects. Applicants should have interest in a full range of project responsibilities. Applicants must hold a 5 year professional degree or Master's degree in Architecture and have 3 to 8 years of professional experience. Knowledge of AutoCAD, Photoshop and 3d Studio Max and/or Rhino is required. Please send a cover letter, resume and 1 - 2 work samples to:
Human Resources
Or you may email all files to
hrdesign@som.com (PDF or JPEG only please)
Junior Architect: Skidmore, Owings & Merrill LLP New York is seeking junior level architects for involvement in both large and small scale projects. Applicants should have interest in a full range of project responsibilities. Applicants must hold a 5 year professional degree or Master's degree in Architecture. Knowledge of AutoCAD, Photoshop and 3d Studio Max and/or Rhino is required. Please send a cover letter, resume and 1 - 2 work samples to:
Human Resources
Or you may email all files to
hrdesign@som.com (PDF or JPEG only please)
Urban Designer — Junior Level: Skidmore, Owings & Merrill LLP New York is currently seeking junior level urban designers to participate in all phases of project design and development in the Urban Design and Planning Department. Applicants must hold a 5 year professional degree and/or Master's degree in Architecture or Urban Design and have a minimum of one year of professional experience. Knowledge of AutoCAD, Photoshop, 3d Studio Max, Rhino, and GIS Arcview experience is preferred.
Please send a cover letter, resume and 3 - 5 work samples to:
Human Resources
Or you may email all files to
hrnewyork@som.com (PDF or JPEG only please)
Urban Designer — Senior Level: Skidmore, Owings & Merrill LLP New York is currently seeking a senior level urban designer with an expertise in transportation design to participate in all phases of project design and development in the Urban Design and Planning Department. Applicants must hold a 5 year professional degree and/or Master's degree in Architecture or Urban Design and have a minimum of five years of professional experience working on a wide variety of projects. Knowledge of AutoCAD, Photoshop, 3d Studio Max, Rhino, and GIS Arcview experience is preferred.
Please send a cover letter, resume and 3 - 5 work samples to:
Human Resources
Or you may email all files to
hrnewyork@som.com (PDF or JPEG only please) Project Manager Empyrean International is a global leader of the contemporary and modernist prefab movement. We have 57 years experience in the design and construction of imaginative one-of-a-kind custom houses, including Deck House, Acorn, and the Dwell Homes by Empyrean. We are searching for Project Managers in our San Francisco and New York area offices to work with clients who want unique architecture inspired by their site and by the way they live.
Empyrean International offers balanced compensation (salary and performance bonus), excellent benefits, high income potential, architectural innovation, and a team-oriented open working environment.
Respond to: rsmjob@empyreanapf.com Assistant Project Manager
SOM is seeking applicants for an Assistant Project Manager position.
Please send a cover letter and resume:
Human Resources
Or you may email all files to
hrnewyork@som.com (PDF only please) Come Join Callison at our NY Office! ![]() Project Managers and Project Architect. Please see complete job descriptions at www.callison.com. Resumes and work samples to: employment@callison.com. We are an Affirmative Action/EEO Employer who values workplace diversity.
HNTB Architecture Please apply on line at www.hntbcareers.com or submit resume to kduckworth@hntb.com or fax: 202.654.1000 EOE — M/F/D/V The AIA Contract Documents
program Paper Documents Electronic Format Documents If you already have the software, Version 2.0.5: Software Update is now available. AIA New York Chapter's HOME page Raising Moses - cont'd... Panelists discussed plaNYC as the first major planning project since Moses. Doctoroff is certain that the proposal will be a catalyst for urban growth echoing Moses' legacy. Yaro believes it seeks a comprehensive set of goals similar to Moses' plans, but moves beyond Moses by hinging on actions of many organizations and respect for community input. Anthony Coscia, Chairman of The Port Authority of New York and New Jersey, sees plaNYC as an opportunity for the Port Authority to step up to the plate in a Moses-like manner, and to make it work because it is a large organization with the capability and power to make a significant impact on city's development. Author Tony Hiss believes plaNYC does not think big enough. Hiss proposes integrating parks into urban living that harks back to Frederick Law Olmsted's community-oriented Central Park, a project developed before Moses' time. By limiting car traffic and integrating park space with every street, a public park would be at the doorstep of every city inhabitant, not just within a 10-minute walk as plaNYC proposes. Car designers have successfully designed car interiors, while the only recent train improvements are to Amtrak's problematic Acela trains. By improving rider experience through redesigning subway interiors, people will want to use mass transit and not drive their cars to work. Majora Carter, Executive Director and Founder of Sustainable South Bronx, appreciates plaNYC, but argues it fails to go far enough and is an exception in a city where the rich develop large complexes for their own benefit. If NYC is to be truly sustainable, neighborhoods must be consulted on a broad scale. People know what is best for them, and it surely is not a big box building or a jail or a sewage treatment plant. What they want is numerous small projects built around the needs of the local community. They also want city officials to physically visit their neighborhoods and listen in person to the citizens. Although the plaNYC website might have a place where people can e-mail an opinion, that is not enough. Moses paved the way for wealthy developers, and Carter believes his actions cannot be excused because he was successful. If it were not for Moses, the South Bronx might still be a thriving community (Carter marked the irony of holding a panel about Moses on the first day of Black History Month). She points out that it is good that Moses did not succeed at everything; if he had, there would be no Bronx Botanical Gardens, and we would have an expressway through Washington Square Park. Whether Bloomberg is the new Moses or not, the city is developing at a rate unseen since the Moses era. Clearly that community input is necessary for successful development, and Moses' mistakes should not be repeated, but the extent to which planners and developers can learn from Moses is still up for debate. Perhaps it is a sign that there was no time for questions and answers from the audience. Robert Moses and the Modern City is a three-part exhibition currently on view at the Museum of the City of New York, Queens Museum of Art, and Columbia University Miriam and Ira D. Wallach Art Gallery. Models, historic objects, plans, and photography are on display. Each venue examines a different facet of Moses' legacy within the context of contemporary New York. Also, the Panorama of the City of New York — the world's largest architectural scale model, made by Moses for the 1964-65 World's Fair — has been reopened at The Queens Museum of Art. Accompanying the exhibition is Robert Moses and the Modern City: The Transformation of New York, co-edited by Hilary Ballon, the exhibitions' curator, architectural historian, and professor of art history and archaeology, and Kenneth T. Jackson, Jacques Barzun Professor in History and the Social Sciences at Columbia University. New Orleans Eight Plans Later - cont'd... Paul Lambert outlined the goals of the Neighborhood Rebuilding Plan, based primarily on federal and state guidelines. He emphasized existing opportunities such as $100 billion to be invested in regional redevelopment over the next five years, and the historic, cultural, and tourism infrastructure is already generally in place. (On January 30, the UNOP reported that citywide recovery will cost $14 billion over the next 10 years.) "It's 16 acres vs. 116,000 acres," an impassioned Frederic Schwartz, FAIA, began. "It's billions of dollars being spent at Ground Zero, and 200,000 people without homes in New Orleans." From there, he talked about major issues such as the public housing crisis, density, and where and what to build and not build. He illustrated how "knowledge sessions" at Harvard Graduate School of Design developed into real projects with 100 action plans. "All the work that's been and is being done," he said, "doesn't come close to what's needed in New Orleans." The "big picture" was presented by Steven Bingler, AIA, who described the timelines of the eight major New Orleans planning initiatives, and explained how all of them have been integrated into the current UNOP. High on the list of priorities: safety from flooding; financial incentives; developing rental, low-income, and public housing, and providing an opportunity for all to return. "New Orleans is in an intensive care unit," he said. "All our systems are down. This isn't about a vision thing — it's about staying alive and getting the systems to function." The most important lesson learned from all the planning initiatives is the "power of deliberative democracy." Kristen Richards is editor of OCULUS and ArchNewsNow.com. | ||||||||||||||||||