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10.04.05Editor's note: For anyone who might have been living under a rock the last few weeks, this is a reminder that Architecture Week 2005 begins this week! Time to get tuxedos pressed and ball gowns primped for the Heritage Ball at Chelsea Piers Thursday night, then plan to party heartily until the wee hours of the morning at the Party@theCenter (for Architecture). Exhibition receptions, the Design-In Marathon, Family Day, openhousenewyork, and so much more continue through Tuesday, October 11. So get your dancing—and walking shoes—primed! We'll see you there... Kristen Richards—kristen@aiany.org ABOVE THE FOLDJob Opportunity TABLE OF CONTENTS(For those reading eOculus via email, please note that clicking on a link in the Table of Contents may open this issue in your Web browser).
Around the AIA and the Center for Architecture
eCalendar REPORTS FROM THE FIELDA Running Start for Start-Ups Well over 100 people came to the Center for Architecture on September 29 for Session Two of the quarterly New Practices Roundtable series, "Architectural Business: A Running Start (840K .pdf)." Who were they? A balanced mix of design professionals who were either just starting their own practices or thinking of stepping out on their own. Why were they there? The program, spearheaded by Mark Strauss, FAIA, 2005 First Vice-President, President-Elect, AIA NY Chapter and sponsored by the Chapter and The Architect's Newspaper, brought together an impressive panel of experts in business management, legal issues, insurance, and banking. Not the most glamorous aspects of a design business, but the ones most needed if you want a successful business in the design field. Moderator Gregg Pasquarelli, co-founder of SHoP Architects, summed up the "why" of the program in his introduction: "Treat architecture as a business first, design second. Clients want to see a professional organization—and you'll end up with more freedom to be creative. Spend time early on setting up the business structure. If you don't, it will catch up with you. It'll be harder to do tomorrow than if you do it today." Following Pasquarelli's comments, were the experts: Thomas Coghlan, President, Design Insurance Agency; Elyse Engelhardt, Business Management Consultant, AP3D Consulting; Robert F. Herrmann, Partner, Menaker & Herrmann Attorneys LLP; and Patricia Stumpp, V.P., Commercial Markets Group, Citibank. They're presentations were specific to small and start-up design practices: choosing to be a professional corporation (PC), limited liability company (LLC), or partnership; owner/architect agreements; consultant agreements; budgets and accounting strategies; insurance and liability issues; and finding the right attorneys, accountants, insurance agents, and bankers who care about small businesses (yes, the experts said they do exist). There was disappointment that the Q&A session was cut short—questions in the air were palpable. But the speakers spent time with attendees after the program, and a PDF of the salient talking points is posted on the AIA NY Chapter web site; click on link above. Mark your calendars: the next New Practices Roundtable on December 7 will focus on Technology. Details will follow shortly. Deans' List ![]() Kristen Richards It took 18 months to pull all the pieces together, but come together it did. "9 Architecture Schools Expo(sed)," is the brainchild of Lance Jay Brown, FAIA, Program Director and 2004-2006 AIA NY Chapter Director for Educational Affairs. The inaugural exhibition and accompanying events kicked off what will be an annual September program intended, says Brown, "to open a new era of communication and dialogue among the school communities and the profession in the region." A highlight—and a New York first—was the Deans' Roundtable on September 21. The table wasn't round, but gathered around were deans, chairs, and professors from nine area architecture schools:
The Center resembled a university commons with several hundred students (all carded and "banded" at the door) from all the schools filling the lecture hall and hanging from the rafters. There were rousing cheers as each school's speaker was introduced. The evening was moderated by Susan Szenasy, editor-in-chief of Metropolis magazine. The first question—"What makes your school unique?"—led to brief but eloquent "infommercials" about each school. Architecture Students Have Their Say The second program in conjunction with the "9 Architecture Schools Expo(sed)" exhibition was two panel discussions for a student audience on September 26. The first panel, moderated by Trinity Simons, Assoc. AIA, Director, Community Services for the American Institute of Architecture Students (AIAS) national office in Washington D.C., provided students with a sneak preview of what to expect upon graduation. Speakers were Nicholas Colello, Assoc. AIA, Curtis + Ginsberg Architects; Ely Fretz, Assoc. AIA, Brennan Beer Gorman Architects; and Carlos Rodriguez, AIA, Rodriguez Studio Architects and Designers. This panel candidly discussed the advantages and disadvantages of various firm types and sizes, and shared their experiences regarding what today's firms expect from their emerging professionals. The second panel, moderated by Kate Bojsza, Assoc. AIA, Pei Cobb Freed & Partners, included Simons and current students Evan Lepore (New York Institute of Technology); Jeff Carnell (City College of New York); and Casey Nixon, Assoc. AIA (University of Hartford). The discussion began with a basic understanding of each student's personal goals, and analyzed how an architectural education can prepare students to achieve their aspirations. Particular attention was paid to the pros and cons of the studio model and its ability to prime students for entering the profession. The students described their most positive studio experiences as those that fostered a culture of collaboration, encouraged friendship, and celebrated individual talents. The program was sponsored by the AIAS, the Center for Architecture, and Kaplan AEC Education. This successful evening provided students with an opportunity to connect to all that the Center for Architecture has to offer. West Harlem Waterfront Transformations ![]() Take Me to the River Waterfront Access and Economic Development Plan, West Harlem Donna Walcavage Landscape Architecture + Urban Design with Nautilus International Development Consulting, Inc. West Harlem's waterfront is undergoing a transformation that will reconnect the entire neighborhood to the Hudson River, from 125th Street to Hamilton Heights, with new piers, parks, and public access. Two of the projects, the 125th Street Pier and "Take Me to the River," a waterfront access and economic development study between 143rd and 155th Streets, were presented to a capacity crowd at the Center for Architecture on September 27. Both projects will add recreational amenities, improve access to the waterfront, and foster economic development. Participants included: Bonnie A. Harken, AIA, President, Nautilus International Development Consulting, Inc., and chair of the American Planning Association (APA) NY Metro Chapter Waterfront Committee; Donna Walcavage, Principal, Donna Walcavage Landscape Architecture + Urban Design; Nancy Welsh, who supervises the NYC Unit for the NYS Department of State, Division of Coastal Resources; and Barbara Wilks, FAIA, ASLA, Principal, W Architecture and Landscape Architecture. Rick Muller, environmental/transportation policy analyst at the Manhattan Borough President's Office and project manager for Take Me to the River, moderated the evening program. BMCC: On the Rebound ![]() BMCC campus is indicated in yellow, with Fiterman Hall highlighted in dark yellow Pei Cobb Freed & Partners Not all the news from the sites in Lower Manhattan is bad. Not all the city agencies are at war or adrift. Not all the architects are at odds. In fact, look north, to where 7 World Trade Center collapsed into Fiterman Hall, a building owned by the Borough of Manhattan Community College (BMCC), thus totally disrupting the college's semester. Replacing this building is a tale of architectural success in the face of incredible odds. For starters, the federal and local emergency authorities basically occupied the rest of BMCC's nearby property. Emma Macari, AIA, CUNY Vice Chancellor for Facilities Planning, Construction & Management—and also co-chair of the AIA NY Chapter Committee on Women in Architecture—has proudly told this story many times. But on September 21, close to the fourth anniversary of 9/11, she related it for the first time to a Chapter audience. The presentation included how the College and University fared in the aftermath of 9/11, provided details of CUNY's RFQ and RFP process for the Fiterman Hall replacement building, and ended with a presentation by Yvonne Szeto, AIA, about how Pei Cobb Freed & Partners' response brought the firm the commission to proceed with the project. "These weren't normal times," Macari understated. One example: emergency squads for the Ground Zero Command Center commandeered nearly every chalkboard in BMCC's main four-block-long building on Chambers Street. But BMCC President Antonio Pérez stayed at his campus to ensure that, despite the occupation, the building was not abused. Just keeping the building clean was a heroic feat, with the barges that carted debris to Staten Island moored right across the way. This maintenance saved CUNY millions of dollars when it was time to reoccupy the Chambers Street structure. Peter Eisenman: The Immemorial Memorial ![]() Peter Eisenman: Memorial to the Murdered Jews of Europe in Berlin akg-images/Udo Hesse In late September, Peter Eisenman, FAIA, spoke at the 92 Street Y about his Memorial to the Murdered Jews of Europe. The conversation, led by Amei Wallach, president emeritus of the International Association of Arts Critics/USA, touched on the project's controversy, the public's reaction, and Eisenman's view of its success. The project almost never happened. After winning the design competition in 1994, Eisenman recalled the project almost died—caused by a combination of politics and budget. In 2003, construction finally began on land that once housed the bunker for Hitler's Minister of Propaganda, and the memorial was dedicated in May 2005. "It is part of a living memory and an attempt to normalize the Holocaust in the minds of normal Germans," observed Eisenman. But is it possible to normalize the Holocaust in the minds of Germans, wondered Wallach, who asked about the project's original purpose. Eisenman responded that the memorial is specific to the Holocaust, Berlin, and the site: "It was not to be for anyone but the German person." He went on to say people use and see the memorial in different ways. Teenagers have taken to skipping along the pillar tops, some of which are 15 feet above the ground, and children regularly play tag in the deep forest of pillars. openhousenewyork Opens Doors to 150+ Architectural Sites October 8 + 9 ![]() Still haven't seen Tod Williams Billie Tsien's American Folk Art Museum, Beyer Blinder Belle's restored ballroom at the Prince George Hotel, Caples Jefferson's Heritage Housing HQ, Murphy Burnham & Buttrick's restoration of the Peter Jay Sharp Volunteer House, Karlsberger Architecture's Queens East District 7 Annex Garage, Gluckman Mayner Architects' Jacob H. Schiff Robin Hood Library? These and other projects by AIA NY Chapter members will be open during the 3rd annual openhousenewyork, which is part of Architecture Week 2005. A number of architects, designers, historians, and landscape architects are giving tours and lectures at many of the locations—currently more than 150 sites, dating from the 18th to the 21st century in all five boroughs. The Center for Architecture will once again serve as OHNY's Welcome Center. Click links for more information. IN THE NEWS + NEW DEADLINESDeadline October 14: Call for Ideas: Memorial to Northeastern University Veterans Deadline October 21: RFQ: New Jersey Urban Parks Master Plan Design Competition Deadline October 21: Call for Proposals: Seminars at the SMPS/PSMA 2006 National Conference Deadline January 17, 2006: NYCDEP/EPA 2nd NYC Green Building Competition FXFOWLE Architects: A Banner Week Voici! Le Gagnent! Imrey Culbert /SANAA Team Win Louvre Lens Competition Lux Condo w/Time Sq. Vu Perkins Eastman/Rafael Viñoly Architects: Penn Medicine Center for Advanced Medicine Wearing of the Green comes to The Octagon on Roosevelt Island The original Octagon, designed by Alexander Jackson Davis, opened in 1841 as an island retreat—its centerpiece being a five-story octagonal rotunda of blue-gray stone quarried on the island. Becker + Becker and consultants Building Conservation Associates worked on the preservation design aspects of rotunda, which had been plagued by a series of fires. The rotunda, with its signature "flying staircase," has been reinvented by the Rockwell Group to house a lobby and fitness center, café, billiards and clubroom, gallery, and conference rooms. Two 14-story gray stone wings flanking the rotunda have 500 residential units: 400 will be rented at market rate and 100 will be dedicated to affordable housing for middle-income residents. The complex lays claim the largest array of solar panels in Manhattan that will help make the building 35% more energy efficient than other new buildings. Other green elements include high-efficiency boilers and building materials containing no formaldehyde or volatile organic compounds. The project includes a two-acre ecological park and access to a riverfront esplanade. A hybrid shuttle bus will transport residents to the tram and subway. The project has received a Green Apple award from the EPA and the DEP for leadership in applying sustainable design principles to residential development, and a Silver LEED rating. Holl x 2: Pratt's Higgins Hall and Whitney Water Purification Facility ![]() ![]() Higgins Hall by day and night Kristen Richards ![]() Studios Kristen Richards ![]() Whitney Water Purification Facility Courtesy Paul Warchol The dedication celebration of Pratt Institute's new Higgins Hall center section in Brooklyn on September 22 was aglow and abuzz with a festive mix of elegant patrons and artfully-garbed architecture students. The 22,500-square-foot, glass-enclosed building designed by Steven Holl Architects, is the new entry to the historic north and south wings of Pratt's School of Architecture. Holl worked in collaboration with Rogers Marvel Architects, who designed the existing wings. Approaching the school in the late afternoon, one might have thought the new building was clad in an opaque, reflective metal skin. But once the sun went down, its true character came to life—gleaming from within. Holl said, "We used an elementary architecture formed of concrete bones and a thick glass skin to create a 'complimentary contrast,' an innovative approach to dealing with the real problem of inserting new buildings into existing context." The new connector houses a two-story lobby, a gallery, a terrace, an auditorium, a digital resource center, two classrooms, and architecture studios. The manipulation of interior spaces is most interesting in the upper-floor, skylit studios that had to negotiate between the misaligned floor plates of the adjoining wings—what Holl called a "dissonant zone"—where ramps connect the varying levels, and all the studios are open to skylights and clerestories above. Also recently dedicated was the Holl-designed $49 million Whitney Water Purification Facility in Hamden, CT, designed by Steven Holl Architects, purifies millions of gallons of water per day for south Central Connecticut in the midst of a vibrant watershed ecosystem that includes a public park and educational center, along with a diverse habitat and sanctuary for migrating birds. The 14-acre site incorporates the original Eli Whitney, Sr. colonial house and barn (1798), and is adjacent to the Eli Whitney Museum. The design fuses architecture with a landscape created by Michael Van Valkenburgh Landscape Architects—including a 35,000-square-foot green roof with "bubble" skylight lenses that bring natural light into the plant below. The water purification facilities are located beneath the park while the operational programs rise up in a 360-foot-long, stainless-steel "sliver"—likened to an inverted drop of water. The sliver houses an exhibition lobby, laboratories, a lecture hall, conference spaces, and extensive operational facilities. In 2001, the project was the only American design to receive the Van Alen Institute Award in the International Projects in Public Architecture Competition. Two weeks ago, it received an Honor Award in the 2005 AIA NY Chapter Design Awards. "Why shouldn't a water purification plant look like a museum?" asked juror Stefan Behnisch when describing the project. Beyer Blinder Belle: Humanities Building at Stony Brook University ![]() Beyer Blinder Belle: Atrium, Stony Brook University Humanities Building Fredrick Charles, FCharles.com The completion of the new $20 million, 104,000-square-foot Humanities Building at Stony Brook University affirms the importance of the humanities at an institution primarily known for science and research. The Beyer Blinder Belle-designed Humanities Building includes 52,000 square feet of new space coupled with 52,000 square feet of completely renovated space. The entrance leads into a skylit, two-story atrium, which links the new building to the renovated portion, and provides a common space for all of the Humanities departments to foster social and intellectual interchange among the disciplines. The building's completion marks the latest milestone of a work-in-progress to reshape the campus. Over a decade ago, Beyer Blinder Belle, in collaboration with Lynden B. Miller Public Garden Design, created the six-acre Academic Mall, replacing vast areas of pavement with lawns, gardens, walkways, and fountains. The firm also designed the University's Jasmine Café at the Charles B. Wang Asian-American Center, and has the Center for Bioengineering and Biotechnology and the Laboratory for Brain Research on the boards. New York Team Shortlisted for California Project Names in the News AROUND THE AIA AND THE CENTER FOR ARCHITECTUREWinners ALL: 2005 AIA New York Chapter Design Awards and Housing Design Awards Announced ![]() Design Awards Architecture jurors (l-r): John Patkau, Hon. AIA, Patkau Architects; David Heymann, David Heymann, Architect; and Stefan Behnisch RIBA, Behnisch, Behnisch & Partner Kristen Richards ![]() Design Awards Projects jurors (l-r): James Timberlake, FAIA, KieranTimberlake Associates; Mario Gooden, AIA, Huff Gooden Architects; Luca Merlini, M+V Merlini and Ventura Architectes Kristen Richards ![]() Housing Committee Chair James McCullar, FAIA, keeps an eye on the Housing Design Awards jury (l-r): Adele Naude Santos, FAIA, Dean, MIT School of Architecture and Planning; Michael Pyatok, FAIA, Pyatok Architects; and Julie Eizenberg, AIA, Koning Eizenberg Architecture Kristen Richards On September 19, award fever was in the air all day at the Center for Architecture. Three juries judicated 458 entries in Architecture, Interior Architecture, and Projects categories for the 2005 AIA NY Chapter Design Awards program. The results: 16 Honor Award and 25 Merit Award winners. Meanwhile, ensconced in the library, the jury for the Housing Committee's inaugural 2005 AIA NY Chapter Housing Design Awards considered 102 entries, and selected nine Award and five Citations winners. Click the links for a complete list of both award programs winners and projects, and their respective jury members. That evening, the three Design Awards juries reconvened for a symposium where the winners were announced and the jurors commented on the whys and wherefores of their selections. Michael Sorkin moderated the lively discussion. All three juries said they were generally impressed with the breadth and quality (and quantity) of the submissions, but surprised and deeply disappointed with the lack of sustainable elements in many of the projects. More commentary about both the Design Awards and Housing Design Awards will be included in the special awards issue of Oculus magazine in Spring 2006. Both awards programs will be feted and on show at the Center for Architecture. The opening reception for the Design Awards exhibition will be October 11, 6:00-8:00pm, as part of Architecture Week. On October 17, 5:00-8:00pm, the Housing Design Awards will go on view with an opening reception and presentation of winning projects. Both events are free. RSVP: 212.358.6111 or rsvp@aiany.org.
Town Hall: Results of Special AIA NY Chapter Membership Meeting The Chapter's Annual Town Hall meeting that followed was a disappointment, if measured quantitatively by the number of participants on hand for the lively discussion. Previous Town Hall sessions elicited many more Chapter members than the handful of stalwarts who came on a pleasant Friday evening to the Center for Architecture. Saf Fahim, AIA, Chair of the Dialogue Committee, introduced the evening by noting the importance of the dialogue format in shaping Chapter policy. He also expressed the emerging importance of technology as a de facto fourth theme of the Chapter's structure—along with design excellence, professional development and advocacy/public outreach. AIA Pushes for Long-term Hurricane Recovery, Permanent Solutions Wanted: Architects, Planners, Preservationists, etc.—FEMA Disaster Recovery Jobs Available Immediately New York Heads To Boston In November Thirty industry professionals from New York will be speaking at this year's convention. One workshop of particular note is called "Memorial Design—before and after 9/11." The session is on Wednesday, November 16 (event #B75), and is moderated by Ric Bell, FAIA. Panelists include Michael Arad, AIA, Handel Architects, designer of the World Trade Center 9/11 Memorial; Lance Jay Brown, FAIA, City College of New York School of Architecture, Landscape Architecture and Urban Design; and Frederic Schwartz, FAIA, Frederic Schwartz Architects, designer of the Jersey City, NJ, and Westchester, NY 9/11 Memorials. This workshop is one of five in a day-long symposium on memorials entitled "Designing for Memory." Other programs at Build Boston include the 6th annual Women in Design conference, and symposiums on diversity, housing, materials, smart growth, small firms, the public interest, and K-12 facilities design. Build Boston also boasts the largest tradeshow for our industry in the Northeast with over 350 of the country's top suppliers of building technologies, products, and services. Also offered is an expanded tour program and special events including a keynote luncheon on the construction outlook for 2006 hosted by McGraw-Hill Construction and SMPS, the BSA Gala/Design Celebration, and nightly cocktail receptions. With nearly 200 workshops, Build Boston is an opportunity to earn all of your AIA Learning Units (LUs) for the year in one place, in three days. Visit www.buildboston.com or call 800.544.1898 for details and to register. ON VIEWAt the Center for Architecture, 536 LaGuardia Place:
October 6–December 31, 2005 Two Columbus Circle (plus): Museum of Arts & Design and Allied Works ArchitectureGallery: Street Gallery The Museum of Arts & Design will present a preview of its new premises at Two Columbus Circle. Allied Works Architecture is the architect for this transformation and renewal of the long-derelict building into a state-of-the-art, light-filled museum to house MAD's expanding collections and programs. Sponsored by: Elsewhere:
eCALENDAR DEADLINESOctober 7 (registration): Urban Voids: Grounds for Change; deadline for late registration and questions: November 14 October 14: Call for Ideas for a Memorial to Northeastern University Veterans October 14 (registration): Oklahoma City Bus Stop Student/Intern Design Competition; entries due November 7 October 21: RFQ for New Jersey Urban Parks Master Plan Design Competition October 21: Call for Proposals for Seminars at the SMPS/PSMA 2006 National Conference (.pdf) October 31: 2006 International Garden Festival, Jardins de Métis/Reford Gardens, Québec November 1: Canadian Centre for Architecture 2006-2007 Visiting Scholars Program January 17, 2006: NYCDEP/EPA 2nd NYC Green Building Competition (.pdf) CLASSIFIEDSADVERTISE IN THE eOCULUS CLASSIFIEDS! Would you like to get your message above the fold? Spotlight your firm, product, or event as a marquee sponsor of eOCULUS, the electronic newsletter of the AIA New York Chapter. Sponsors receive a banner ad prominently placed above the table of contents. Your message will reach over 5,000 architects and decision-makers in the building industry via e-mail every two weeks (and countless others who access the newsletter directly from the AIA New York web site). For more information about sponsorship, contact Dan Hillman: dhillman@aiany.org or 212.358.6114. AIA New York Chapter Communications Technology Coordinator Design Faculty Position Requirements: The candidate must be a Registered Architect and/or possess a Ph.D., and have an MLA degree. Salary is commensurate with education and experience. To Apply: Please submit CV, letter or application, and the names, addresses, and telephone numbers for three (3) professional references to: Professor Hanque Macari, Chair, Design Faculty Search (PVN #FY 10630), School of Architecture, Urban Design and Landscape Architecture, The City College, 160 Convent Avenue, NY, NY 10031. Letters of reference may be requested subsequent to application. Position is open until filled. For more
information, please visit the College's website at: www.ccny.cuny.edu/positions Senior Project Managers Intermediate Architect Intermediate Architect needed for growing design studio. Variety of projects. Must have 6-10 years experience in design, planning, construction documents, detailing, interiors and base building. Strong designer skills. Pleasant, friendly office. Competitive salary with full benefits. Fax to 212.620.5584 or email to Maureenc@hsd-nyc.com. Project Engineer/Architect ARCHITECTS ARCHITECTS Campus Facilities Officer A relevant baccalaureate degree plus eight years applicable experience is required. Must possess a Professional Engineer (PE) or Registered Architect (RA) license. For complete details go to: www.citytech.cuny.edu Cover letter and resume to: Michelle Harris; Human Resources; NYC College of Technology; 300 Jay Street, Brooklyn, NY 11201. ADA/IRCA/EOE Employer. Project Architect Needed: 5–7 years experience, 5–year BA, recently licensed architect or taking the licensing exam; Autocad proficient; designer's eye/hand, strong technical knowledge, construction detailing expertise; oversee junior/intermediate architect, manage medium-large project skilled in technical writing, assist in developing project proposals, analysis and review of zoning laws and building codes; must be organized, dedicated, motivated self-starter. Send resume to mds@goshow.com
AIA Contract
Documents Paper Documents Electronic
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Documents Request for Proposals The RFP is available as of August 29, 2005 on HPD's web site, www.nyc.gov/hpd, or may be obtained by calling Christopher Pope at 212.863.7499. A pre-submission conference will be held on Wednesday, September 28, 2005 at 10:00 a.m. at HPD, 100 Gold Street, Room 1R, Manhattan. All proposals are due by 4:00 p.m. on Monday, December 19, 2005. All responses must be submitted to the attention of Christopher Pope at HPD, Office of Development, 100 Gold Street, Room 9I, New York, NY 10038. SOHO OFFICE SHARE 1000sf Architect's Office for Sublet Design Leader AIA
New York Chapter's HOME page A more interesting question was about if and how the schools collaborate. Vidler said there's a "deep need to collaborate," and Wheelwright pointed out that there's more conversation going on now than in the past. Gauchet expressed disappointment that the collaboration doesn't extend to the students. (Though that may change, if the student attendees studying each other's exhibit boards is any indication.) Diversity and globalization were also hot topics. Hawkinson said it's important for women and people of color to hold important positions. Krumwiede pointed to the use of experts from other Yale schools at every opportunity, saying, "Architecture schools collaborating with architecture schools creates in-breeding." Hanrahan added to the thought: "We have to bring outside and interdisciplinary voices to our schools." The conversation continued with forthright (and some surprising) statements. A sampling: "It's expected we know what we're doing, but the expectations are ahead of what we can deliver...it's more important that students are taught to be responsible to the client and the world." "We need to ferret out the social complexities and contradictions. Our job is to use students to research and help us all figure it out." The subject of ethics rounded out the evening. Allen said he's optimistic: "Clients are coming to architects with social or urbanistic problems to be addressed." A debate about what constitutes fundamentals of architectural education ensued, with an emphatic Ranalli: "Architecture starts from any position as a theoretical base? Architects all wind up making buildings. We don't make films. We're not computer jockeys or social scientists. We're teaching students how to make buildings." Szenasy concluded, "We're all in this together, trying to figure out what the 21st century will be like for human beings who want to live happy, healthy, disease-free lives in this chemical world that we have created. We have a lot of work ahead of us." Brown hopes to see the "Architecture Schools Expo(sed)" format expand to other regions and, ultimately, organized as a regularly scheduled national exhibit and dialogue. "Our culture needs it," he says. "Our profession will benefit from it, the students will be better served by it, and hence so will our society." West Harlem Waterfront Transformations, continued Welsh explained that the state agency's Coastal Management Program, Environmental Preservation Fund, provided the seed money, in partnership with local agencies, for the design work for both projects. The agency, based in Albany, disburses state-wide approximately $10-12 million in funding annually. Wilks presented her design for the West Harlem Waterfront Park, between 125th and 135th Streets. The project was developed for EDC with the active participation of the West Harlem community. The community started the process more than 30 years ago, and the project is now on the verge of receiving permits for construction. The site is a long narrow strip, which the plan expands by adding a diagonal pier jutting southwest into the Hudson River. The pier is broken at 125th Street to create a focus on the water and a gathering place on the upland. The south pier will be a water taxi stop; the larger northern pier will be for fishing and recreation. The plan includes lawn areas, plantings, specially designed benches, and sculptures by artist Nari Ward. Harken and Walcavage presented the Take Me to the River plan, which was initiated by Savona Bailey-McClain, director of the West Harlem Art Fund. Bailey-McClain was successful in sponsoring state designation for the Heights Heritage Area in November 2004, the 18th such heritage area in the state, to attract tourism and funding. The Take Me to the River process is in its initial stages, seeking funding of the 10-year, three-phase, $50.5 million project. The 143-155 Street portion of the Hudson River waterfront is located just north of the Riverbank State Park. Access from Broadway to the waterfront is hampered by up to a 100-foot grade change, the open railroad tracks, and the Hudson River Parkway and ramps. The existing park and abutting areas suffer from erosion due to storm water runoff, compacted lawn areas, and overgrown planting. The development plan from Broadway to the Hudson River calls for enhanced streetscape and access to the park at multiple locations. The "Gateway" at 145th Street provides opportunities for large site, mixed-use development, and access via the Riverbank State Park elevator. The "Neighborhood Center" between 146th and 152nd Streets on Broadway provides additional opportunities for redevelopment. A "Cultural Corridor" on 155th Street takes advantage of Audubon Terrace, Trinity Cemetery, and the churches to connect to the waterfront. The park plan calls for reclaiming an area between Riverside Drive and the railroad/highway barrier, with a planted area, paths, and art called the "Enchanted Forest." A community garden, mini-golf, skate park, and basketball courts are proposed between the railroad and highway. By re-siting parking to areas below the highway, additional athletic fields can be created. Also proposed: a bicycle path, multipurpose and picnic areas, an eco/habitat area, use of temporary barges, seasonal piers for boating, and a fishing pier. Access to the park depends on cooperation with NYS and NYC DOT to improve tunnels, bridges, and stairways. Reuse of a circular overlook, historic rotunda, loggia, and oval terrace will enhance the park experience. The Q+A broached a range of topics, including access for the elderly and handicapped, the bike path, desire for a marina, billboards on private property, parking to support the playing fields, safety, and plaques for historic sites. The event was co-sponsored by the AIA Planning & Urban Design Committee, the American Society of Landscape Architects, the West Harlem Art Fund, and the APA NY Metro Chapter Waterfront Committee, organizers of the program. BMCC: On the Rebound, continued In the interim period, environmental testing, insurance claims, FEMA disputes, and structural analyses continued. To replace thousands of square feet of missing classroom space, CUNY located bright red trailers and, with the help of the Port Authority Police, brought them in overnight to the West Street flank of the campus. The saga continued as other trailers became a satellite "new" BMCC campus, designed by Helpern Architects—complete with decks and its own generator—on two parking lots at the south side of the City College of New York campus. Generous sister institutions provided a colorful hodgepodge of chairs and tables for classroom furniture. BMCC's new campus was up and running in only four months. It was not an easy decision to demolish Fiterman Hall, an office building that Hardy Holzman Pfeiffer Associates had just redesigned and nearly completed at the time of the terrorist attacks. But the south portion of the building had caved in and the elements decimated what remained. Ultimately, Richard Donald's structural engineering report and AirTech's environmental analysis indicated the building was no longer viable. CUNY's negotiations yielded insurance and federal funds—$187 million of the total $202 million estimated for the job. But even before all the funds were in place, CUNY had decided to proceed with demolition and new construction of "this important and symbolic project." And so the process began. "There was finally light at the end of this tunnel," Macari reported. As a result of one decision made about the Ground Zero district, the replacement building will have an improved setting: Greenwich Street has been reopened, and the grid makes possible a new public park just to the south of BMCC's new building. "The trapezoidal site now absorbs two of the city's geometries," Szeto noted. The Women in Architecture Committee, co-chaired by Nancy Goshow, AIA, hosted the program. As Vice Chancellor, Emma Macari carries the highest title of any architect at an American university. By dint of this commission as well as her Pei Cobb Freed partner status, Yvonne Szeto has standing in the New York design community. Certainly, CUNY's determination to move ahead with speed to heal BMCC gives new meaning to the phrase, "Ladies first!" Peter Eisenman: The Immemorial Memorial, continued Located in the heart of Berlin, not 500 yards from Norman Foster's renovated Reichstag, the memorial is surrounded by city noise. But Eisenman explained that as people venture further into the site, the noises from the city fade and the sound of feet on gravel becomes exaggerated—heightening the sense of solitude. The architect also remembers watching blind people navigate the memorial. Feeling their way along the tall, smooth concrete pillars, Eisenman felt the experience was more profound for them "than those who see and expect things." The audience asked a number of provocative questions, including one that is circulating on Internet blogs: "What is the significance of the number of pillars?" Originally designed to incorporate 4,300 pillars, the memorial's plan was whittled down to 2,711 to accommodate more sidewalks. Eisenman didn't intend the pillars to symbolize anything—"just a series of mute, silent objects," he said. Interestingly, he learned in a recent encounter with a rabbinical student that there are also 2,711 pages in the Modern Talmud (other scholars whose work has appeared online have also pointed out the connection). Wallach ended her questions with the pointed inquiry: "Is it successful?" To which Eisenman responded, "I don't believe that success is a possible answer to what is there. How can a Memorial to the Murdered Jews of Europe be a success?" However, Eisenman recalled children crying after losing their way in the memorial, people holding on to the pillars for support and, conversely, locals sitting down to eat lunch. To the architect, the mixed reactions illustrate something akin to success and, he said, acceptance from the city. Many more daily visitors than were expected are coming to the Memorial, prompting Berlin officials to extend the hours of operation. In September, the Memorial won an Honor Award for Architecture in the 2005 AIA NY Chapter Design Awards. The discourse had seating arranged as a roundtable, appropriate since significant operational and conceptual comments came from "AIA Roundtable" founder Sarelle Weisberg, FAIA. Gary Higbee, Executive Director of the Steel Institute of New York, emphasized the importance of technology as an agent of change. A format is to be investigated to engage manufacturers and the Chapter in an open dialogue on the subject. The most spirited input by far came from Chapter member Adelia Chan, AIA. Among many other suggestions, Chan enthusiastically proposed creating a garden in the rear courtyard/airshaft space of the Center to better represent the "greening" of our space and our partnership with the American Society of Landscape Architects New York Chapter. The evening's two highlights were undoubtedly presentations by President Susan Chin, FAIA, regarding the achievements of 2005, including the regeneration of a diversity task force, and strong presence at the Center of other industry professionals, such as the Steel Institute of New York. President-elect Mark Strauss, FAIA/AICP, announced the 2006 Chapter theme, "Architecture as Public Policy," and explained how that could translate into specific programs and exhibitions honoring NYC firefighters and police officers. As before, specific suggestions made will be further considered by the Chapter Board and implemented by staff. The Town Hall meetings in past years have been very useful as a way of reaching out to members not otherwise engaged in Chapter committee or task force activity. This year was a bit different. As Strauss noted, perhaps there were simply fewer gripes, fewer problems, and fewer questions. The format and timing of subsequent Town Hall meetings will be reconsidered to assure maximum member participation and interest. |